vinyl + cds

Sometimes you find yourself on the hunt. Whatever it happens to be for, who cares. You're just out there, searching. With Kveikur Sigur Ros seem to be on that kind of a journey. The band, who now find themselves a trio, has a new home in XL Recordings and is playing with song structure in a way we have not heard from them. Past albums have featured songs that were epic in scope, topped with frontman Jónsi Birgisson's falsetto vocals. On this most recent of albums the pieces a shorter and the sound more aggressive. The grandiose elements come from heavy handed percussion rather than soaring, bowed guitars. Don't get me wrong, those guitars are still there. However, the whole enterprise appears to be headed in a more pop oriented direction. And this may be what Sigur Ros is looking for, a new direction 7 albums in to an already accomplished career. It does not look like they are going to lose any fans on this journey, just gain a few more. Limited deluxe 2LP pressing house in a gatefold sleeve, includes bonus 10".

• music label: XL Recordings 2013

reviewed by Michu Meszaros 06/2013

First Daft Punk, now Boards Of Canada. The first half of 2013 has been all about the masterfully orchestrated, slow-reveal album drop. It can be argued that Boards fans are more rabid than Daft Punk fans. If Daft Punk fans binge watch Game Of Thrones, then Boards fans savor the books while keeping the covers in mint condition. There's something revelatory about their music: it lulls you into hypnotic states with texture and beats, conjuring dystopian scenes that play out in your frontal lobe. Tomorrow's Harvest thankfully does not diverge from the path established by their previous 7 or so albums. Drums melt into bass, bass melts into synths… sprinkle with crackles and distorted mystery snippets collected over the years. The duo, unlike many of their peers, have aged gracefully. Recommeded.

• music label: Warp 2013

reviewed by the mgmnt 06/13

Boston's Kon (aka Christian Taylor) is one of those DJs who's been quietly doing his own thing for a good long while. From putting out hip hop 12"s for Bobbito's Fondle Em and Rawkus Records to being crowned the King of Diggin' along with his former partner, Amir, by BBE back in 2006 he's been around the block more than a few times. Recently he's been dropping a string of super duty tough edits of disco classics that are not to be missed. For his solo 12" on Soul Clap Records the seasoned DJ turns in some original house productions for the first time. What can I say? The production is some of the best out there, the vocals on all of the tracks are in just the right place and these babies are guaranteed to bring the house down. Check the "Forget Me Nots" sampling "Love Youx Forever" if you need any proof. You'll have the trainspotters running up to the booth in no time.

• music label: Soul Clap Records 2013

reviewed by Joey Coco 06/2013

Originally released in 2000, De Stijl remains a favorite among The White Stripes fans for the its simple blues-punk-metal sounds. The title is a reference to a Dutch art movement of the same name, and the Detroit duo has acknowledged the minimalist and deconstructionist aspects of De Stijl influencing the album, which includes "Apple Blossom," "You're Pretty Good Look (For A Girl)," "Death Letter," "Truth Doesn't Make A Noise," "Jumble, Jumble," and "Why Can't You Be Nicer To Me?". This 180g version was remastered from original analog tapes, and from start to finish was NEVER digitized - great sound quality guaranteed. The album cover- which itself draws from De Stijl aesthetics - was also remastered from original prints. Recommended.

• music label: Third Man / 2000 / 2010

reviewed by nakinboots 12/2010

Meat Is Murder is the album that turned The Smiths from a really good band into a really great band. Morrissey and Johnny Marr started injecting more political commentary into the writing, they famously forbade the other members from being photographed eating meat, and the band branched out their sound quite a bit as well. From the aggressive alternative rock on "The Headmaster Ritual," to the rockabilly sounds of "Rusholme Ruffians," the wistful ballad that is "That Joke Isn't Funny Anymore," and the funky bass on "Barbarism Begins At Home" - probably the most club worthy track out of all of them. Of course, most Americans know if for "How Soon Is Now," but because this reissued version is of the original UK release, that track isn't included here. Even without that song, this one is required listening and a nice lead in to the more polished sounds that were still to come on The Queen Is Dead. 9 tracks total on thick 180g vinyl, recommended.

• music label: Rhino 2009

reviewed by Hires 05/2011

The Golden Warbler anthologized! This vinyl companion features 10 songs from complete 40 track anthology. The compilers seem to go for the reggae heads on the vinyl edition. Minus "Here I Come", they forgo the obvious picks. Instead, they select in between the lines with tracks like "21 Girls Salute, Who Shall I Be Afraid Of, Mary Long Tongue, Pon Your Toe" and Reggae Monkey favorite "Bounty Hunter."

reviewed by the mgmnt 06/13

Drums galore! International Breaks 101 hooks up treasure trove of drums ready to be sampled, chopped and looped. They've done all the hard digging for you and present a diverse set of breaks sourced from rare vinyl from all over the globe (Russia, China, Thailand, India, Korea, Japan, Bulgaria, Turkey, France, Holland, Italy, Poland, United Kingdom, and Brazil all represented). This is probably one of the most eclectic and unusual drum packs to come through these parts, with styles ranging from late 60's funk drums to early 80's electro disco beats and everything inbetween. So if you're tired of the same, over-sampled breaks and are looking for something to refresh your sample collection, look no further! 101 breaks total, highly recommended.

• music label: International Breaks Inc. 2013

reviewed by Von Bee 06/2013

Club heat from A-Trak on limited colored vinyl! The Tuna Melt EP has been tearing up clubs around the globe for a minute now, but finally sees a proper vinyl release - on "tuna" colored wax of course! If anyone knows how to work the big room, it's gonna be Fool's Gold boss/DJ superstar A-Trak, and here he delivers four cuts to destroy the dancefloor with ease. Check the trap-inspired dubstep tune "Landline" with GTA that features Trizzy showing of his scratching skills (plus a crazy Woody Woodpecker sample at the drop!), and the peaktime disco house chops of "Disco Nap" with Oliver (aka U-Tern & Oligee) for starters, then take it into high gear with the heavyweight pressure of "Jumbo" with Galantis, and the title track "Tuna" with Tommy Trash. Comes in custom pic sleeve from Dust La Rock, recommended.

• music label: Fool's Gold Records 2013

reviewed by Von Bee 06/2013

Back to back edit heat from Psychemagik! Consider this your go-to 12" when you need a banging 80's or italo joint for the floor. I've been playing Time Bandits' "Only Shooting Love" for years now and it never fails to fill the floor on the 80's secret weapon tip. Here the Psychemagik boys edit it properly as "Time Is Right" for easy mixing and maximum effect, with respect to the OG. Similar story with Funky Family's "Funk Is On" (which the Voice has been rocking), contained here on the flip as "It's On" - a rare italo jam that raises the energy every time it's dropped. Recommended.

• music label: Discotheque Wreckers 2013

reviewed by snackmaster 06/2013

Original soundtrack featuring Daptone alumni, Menahan Street Band and Budos Band. "Postales is a cross-cultural love story shot in the streets of Cusco, Peru in which a postcard-selling street kid encounters an American Tourist girl, and follows her back to her hotel, setting off a chain of events that culminates with a stolen wallet, young love, and a family losing its home." The soundtrack provided by Brooklyn Afro Latin Funk outfits Menahan and Budos Band paints just as nice a picture as the film with sometimes gritty, slightly menacing production. The signature horn section drives the tracks and is easily one of the best Deep Latin Soul records from the last decade. Colemine Records, being known for their incredible 45 catalog of modern Afro Beat and Funk, released Postales as their first full length. If you are a fan of Truth & Soul and Daptone, this is for you. Recommended.

• music label: Colemine Records 2012

reviewed by taco vato 6/13

This triple vinyl set collects three iconic Miles Davis albums released on Prestige during 1958-61: Relaxin' With The Miles Davis Quintet, Workin' With The Miles Davis Quintet, and Steamin' With The Miles Davis Quintet. These are some of my personal favorites from his discography (all critically considered 5 star releases) and having them all together in a 180g package is even better. Recommended.

• music label: Doxy Music 2009

reviewed by the mgmnt 06/13

When collectors talk about essential Latin crossover albums, this is almost always on the list. One of Ray Baretto's most sought after LPs, and probably most accessible to the funk ear. The monster here is the 8:25 long "Espiritu Libre." That wandering bass line defines the track bringing the musical quality of humidity. On more of the groove side, the title track is also built on the bassline with congas given some at the chorus points. The horn blares at just the right steam and when the piano comes at final minute, the band comes together in messiah like proportions. Masterful. More pop-like are the english vocal tracks: "Deeper Shade of Soul, The Soul Drummers, and Mercy Mercy Baby," but some people may dig their latin soul vibe. 8 tracks in all.

• music label: Fania 1968

reviewed by the mgmnt 10/2005

This is Shuggie Otis' second album released back in 1972. Apparently, he was barely 16 when this came out, but how do you explain that dirt stache? Or the surely drug-enhanced psychedelic sounds? Stylistically, this album lands equally in between the blues and rock of his first album and dreamy west coast sounds of Inspiration Information. There's some absolute gems on here like the funkidified opener "Ice Cold Daydream"; Shuggie's signature song "Strawberry Letter 23" (original version); blues-funk classic "Me And My Woman" (so robust!); and the epic, 12 minute jazz instrumental title track. Recommended.

• music label: Epic 1971 / 2012

reviewed by the mgmnt 01/2010

Talking heaters! Tugboat drops a heavy duty EP of Talking Heads edits right on top of us. Late Nite Tuff Guy has been tearing things up lately and his take on "Burning Down The House" is no exception. The chop master from down under slaps a hefty dose of 303 on the Heads' anthem along with bumping up the rhythm to create a slow burner of a part jam. For those of you looking for something a little more up tempo, tune into JKriv's edit of "Girlfriend Is Better." It's sliced and diced, looped to perfection by the Deep & Disco Recordings head honcho. Closing out the affair is Tugboater numero uno Tim Zawada with a skillfully boogiefied version of "Pull Up The Roots." Even one of these on its own would make the record worth the coin. All three together make it a steal.

• music label: Tugboat Edits 2013

reviewed by Joey Coco 06/2013

First ever vinyl repress of Digable Planet's classic second album! This deluxe limited edition pressing of Blowout Comb comes pressed on thick double vinyl, complete with embossed cover, 18 x 24 fold-out poster, and detailed liner notes by Larry Mizell Jr. The Brooklyn-based rap trio consisting of Ishmael "Butterfly" Butler (aka the man behind Shabazz Palaces), Craig "Doodlebug" Irving, and Mary Ann "Ladybug Mecca" Vieira perfected the fusion of jazz and hip hop with 1994's Blowout Comb. Coming right off the heals of their '93 debut Reachin', Blowout found the Planet's honing their craft to perfection and broadening their sound to include guests like Gang Starr’s Guru, Jeru the Damaja, and Jazzy Joyce. The deep rooted jazz vibe stays strong throughout with unfadeable beats sampling many jazz-funk greats (from Roy Ayers, Shuggie Otis, Eddie Harris, Grant Green, and others) plus live sax, vibraphone, and flute instrumentation. Top that with that witty, intelligent flow and you have a sound that has influenced generations of rappers to come. This is jazzy Brooklyn hip-hop at its finest. Recommended.

• music label: Modern Classics Recordings 2013

reviewed by Von Bee 05/2013

Deluxe 180g pressing of the classic Beach Boys album. You guy's should already know about this one, but we're gonna give you the original Lab review written by Roctakon just in case... So everybody knows what's up with pretentious rock dudes and Pet Sounds- they love it. It's second only to the Beatles Sgt. Pepper on the Rolling Stone top 500 albums of all time. Rock critics suck, we all know that, and the Rolling Stone top 500? Well, they had one Outkast album on the list and it was Stankonia. Stankonia? The only way to tell is to cop it and decide for yourself. Brian Wilson did everything himself, writing all the songs with Tony Asher (who the fuck is that?) and producing the whole shit. Besides "Kokomo", most of the best Beach boys stuff comes from this album. You got "Sloop John B", "Wouldn't It Be Nice", "Don't Talk", and "God Only Knows." Seriously, I don't know about how well it was produced or what they did in the studio or why it's one of the greatest albums of all time, I just know it sounds good. Really good. I mean, when I hear this shit I get all misty eyed (not a joke). Perfect for a Sunday morning, a break up, or a sunny car ride. Trust me, put back the Unkle 3 mix cd set and cop the Beach Boys.

• music label: Capitol 1966 / 2008

reviewed by Roctakon 10/2005

Left field beats masterpiece from Gold Panda. Once again Derwin (aka Gold Panda) offers a breath of fresh air in the beats scene with the exquisite sounds of "Mountain" and "Financial District." The former takes you on a sonic journey with far east wind and percussion fused with modern beat techniques and drones to create a real sense of wonder, something kind of rare these days. "Financial District" keeps the dreamy vibe intact, albeit with a different, more dense atmosphere. Fans of BOC, Matthewdavid, etc. need to check this. Limited clear vinyl pressing with artwork from Andy Gilmore. Recommended.

• music label: Ghostly International 2013

reviewed by TKB 06/2013

What do you do when you've got club night with one of the UK's most celebrated artists and have managed one of dance music's most forward thinking labels? Start your own label, of course! Former R&S Records manager Dan Foat is kicking things off big for his 1-800-Dinosaur label. He's tapped James Blake, who he runs the 1-800-Dinosaur club night with, for the labels first offering. The successful club night has adopted an anything goes policy and the label seems to be following suit. Blake's two tracker sees him drop a dub version of of "Voyeur" from his Overgrown album, along with the brand new production "And Holy Ghost." Where "Voyeur" is ripe for the club, "And Holy Ghost" takes a dip in a completely different pool. Limited edition white vinyl pressing.

• music label: 1-800 Dinosaur 2013

reviewed by Joey Coco 06/2013

OK take a deep breath, bro! After years of waiting all you fanboys finally have a chance to pick up one of James Blake's uncommissioned Harmonix remixes. For all you salivating over this release, you're probably well aware that the only way you could have possibly heard Blake's remix of Mala's dubstep smash, "Changes," was to get out of the house and see one of the two artists DJing. So now's your chance to get a copy of this hard to find track. Maybe you'll get lucky and Blake's Harmonix remix of Outkast's "Ms Jackson" will one day see the light of day. Don't sleep!

• music label: Deep Medi Musik 2013

reviewed by Hank Ohs 06/2013

Please wipe the drool from my chin. Rustie takes a respite from his Warp program for this extremely potent single on Numbers. I'm heading straight to b-side "Slasherr" for one of the best bass / trap songs I've heard in a minute. You know, the ones that cause you to make a face you haven't made since hearing that Biggie single play on the radio for the first time (or when you ate that really good middle-eastern sandwich). Bass coma. "Triadzz" is no sleeper either. It's kinda sounds like the mutated bastard child of Just Blaze's Rocafella beat tapes. Btw, when is this type of music going to take over as the official theme music of the NBA? Just seems like a natural fit.

• music label: Numbers 2013

reviewed by the mgmnt 06/13

Nicolas Winding Refn's Drive is a movie that is characterized by its soundtrack as much as it is by the images on the screen. There are moments that would not be the same if the music was not there. Sure there's the songs from Kavinsky and a few of Johnny Jewel's projects, but the real beauty is the material provided by Cliff Martinez and his cristal baschet. The instrument is made of vibrating, tuned steel, fiberglass amplification cones and wire "whiskers" that shimmy when fingers rub the glass-rod keyboard. Much of the Drive soundtrack is composed of the sounds that Martinez was able to coax from this sculpture of an instrument. It gives off a unique, crystalline sound that helped to imbue the movie with tension. On its own, it's one of the most relaxing sounds you'll hear. If you have any doubt, just listen to the track previews. While the more pop oriented acts may have drawn you in, stick around for Martinez's material. Limited edition 180 gram 2LP housed in a gatefold sleeve.

• music label: Mondo 2013

reviewed by Michu Meszaros 06/2013

Director Joseph Kosinski seems to have a thing for tasking French electronic acts with scoring his movies. The director tapped French touch stalwarts Daft Punk to handle the duties for 2010's Tron: Legacy and turns to M83 for the Oblivion OST. The Tom Cruise vehicle is fittingly soundtracked by the Antibes based Anthony Gonzalez. Absolute epicness seems to have been the call to arms as Gonzalez's synth based tracks seem to reach for the outer edges of the stratosphere. But while they might be stretching for new levels of space exploration, many of the tracks have a retro quality about them. They bring back memories of 80s movies in both structure and timber, with glassy arpeggios providing the momentum. Limited edition 180 gram 2LP housed in a gatefold sleeve.

• music label: Mondo 2013

reviewed by Michu Meszaros 06/2013

The dub reggae scene is alive and well in Los Angeles! The long running Dub Club has made its presence felt in the world wide reggae scene. The man behind the club, Tom Chasteen, has teamed up with Jamaican artist Tippa Lee to produce the forthcoming Foundation Come Again. Along with creating some epic rhythms the duo was able to work with many of the dancehall icons that have graced the stage of the celebrated Dub Club. In anticipation of the full length, Chasteen has jumped behind the boards and taken a turn at dubbing out the whole affair in one take, straight to tape. The result is Signs and Wonders in Dub, a master class in dub's limitless possibilities. As much as the skilled selector was able to carve out space within the tunes, he was mindful of the dancers, keeping the rhythm ever present. Limited edition, individually hand screen-printed covers.

• music label: Stones Throw Records 2013

reviewed by Kool Moby 06/2013

Limited edition release documenting Justice's show at Les Arènes de Nînes, July 19th, 2012. It's the thorough packaging you'd expect from Ed Banger. The double vinyl is housed in thick plastic sleeve which holds a grip of artwork, a CD version, and a fold-out poster of Justice and its road crew. If this has been your scene at one moment, it's a great way to mark the time. Pull this shit out when you're grayed and be like: "kids, listen to this crazy stuff your parents did molly to." 13 tracks, several medleys, alternate versions galore, pretty epic.

• music label: Ed Banger / Because Music 2013

reviewed by the mgmnt 06/2013

Modern Love once again challenging our ear flaps. This is Miles' third release for the Mancunian imprint best known for introducing us to Andy Stott. Miles is definitely from the same school as Mr. Stott. His work is super-textural, artsy, and sometimes perplexing (but satisfying when it comes together). Dood probably listened to a lot of Aphex Twin grown up. Per the usual, the presentation is excellent and elevates this sleeved black disc into something more like collectible art.

• music label: Modern Love 2013

reviewed by the mgmnt 06/2013

Z Records is no slouch when it comes to compilations of secret heaters you've never heard before. After giving us the much in demand Under The Influence series, the label delivers this deep collection of gospel inspired by boogie and disco from David Hill. The Nuphonic label co-founder and Soul Jazz consultant has put together a compilation that takes us back to how people were getting down in church in the 70s and 80s. From Ricky Womack & Christian Essence's cover of Sylvester's "I Need You" to the deeply soulful and funky version of "Love Is The Message" from Dan Greer, there's a wealth of secular dance music sounds running through the music. With this release, those of us that may not have been there get a taste of what was going down. Pretty everything here will be just as effective on the dancefloor as it was in church. Nothing is minimal on this record; you get the full effect of the bands and church sized choirs. Z Records has gone to great lengths to make sure masters sound as good as possible, as well. You will not be disappointed.

• music label: Z Records 2013

reviewed by Michu Meszaros 06/2013

Detroit beatsmith Tall Black Guy drops his first solo full-length on Leeds-based imprint First Word Records. Without listening to any of the tracks, I knew this was going to be dope, and I stopped using the word "dope" 5 years ago. This guy is a master of hip-hop drums, anything you throw on top is gravy. 8 tracks (6 instrumental / 2 vocal), no weaknesses (and the best intro sample ever?). Apparently this vinyl version is limited, so act quick. Recommended

• music label: First Word 2013

reviewed by the mgmnt 06/2013

Lab favorite Tall Black Guy drops one for both the grown-ups and the children here. A-side features a chopped up boom-bap rework of Al Jarreau's "Alonzo" (first Al appearance at the Lab?). B-side features a crisply snared, Dilla-inspired version of Sigur Ros' "Saglopur." Yeah, he took it there (to great effect). No brainer if you're into chopped options. Recommended.

• music label: Tall Black Guy Productions 2013

reviewed by the mgmnt 06/2013

Early in the edits game, DJ Catalist brought us some of our favorite jazz edits on the PR Records imprint (that Nina Simone) . Here, the Canuck is back with his second BSTRD Boots 45, this time wading into seldom touched Black Rock territory. On the A-side, he hits up Little Walter's "Up The Line" to beefen up your thin Swamp Rock playlist. On the flip, the rework of Labi Siffre "Rocking Chair" is deep and folky like something you'd hear in a 90s Nike commercial.

• music label: Bastard Boots 2013

reviewed by the mgmnt 06/13

Tough white label remix of the classic Marvin jam. No official word on who's behind this one, but whoever it is is layin' it down proper! Check the A-Side for the Funky Mix of "What's Going On" that tastefully beefs up the drums for more bump in the trunk, while still keeping that timeless and beautiful vibe intact. This is the one. Also check the B-Side for some leftfield "What's Going On" business that flips the vocals in reverse! Limited 7" pressing with stamped label.

• music label: White 2013

reviewed by Von Bee 06/2013

It's the long-awaited debut album from KMFH aka Kyle Mutha Funkin' Hall! After continuously killing it with releases on Omar-S's FHXE label, Hyperdub, Rush Hour, and his own Wild Oats imprint, the prolific young Detroit producer finally steps out with a proper full length, The Boat Party. Here Kyle gives us the sound of the D's next generation on a collection of raw tracks that fuse soul, house, and techno - all with a distinct, authentic Detroit flavor. The Motor City's techno roots are represented with the heavy bump of tracks like "Dr. Crunch," "Spoof" and "Flemmenup," while "Crushed" and "Measure2Measure" give shine to the soulful house side of things (reminiscent of KDJ). Also check the ghetto tech influence on "Finnapop" and the glitchy goodness of "Grungy Gloops." 8 tracks total on double LP. Recommended.

• music label: Wild Oats 2013

reviewed by Von Bee 06/2013

Mister Saturday Night debut from Alex Burkat. Apparently Burkat is a regular at the Mister Saturday Night parties, and sent "Shower Scene" to Justin & Eamon (MSN label bosses) early one morning after a night of dancing. As the story goes, the duo liked the track so much they decided to make their own version (included here as Eamon & Justin's Mister Saturday Night Version) which plays off the gentle, dreamy mood of the original. Either version you play will be the perfect soundtrack for that after-after party or the 6am ride home. The 12" also features the leftfield bumps of "Ammadomyownthing," another Burkat original. Comes in cardboard sleeve with handstamped center labels. Recommended.

• music label: Mister Saturday Night 2013

reviewed by TKB 06/2013

Brawther's release on My Love Is Underground was one of the biggest underground records of 2012 (#2 on Discogs' end of year list). This Parisian producer is very much the it producer in the deep house / dub techno world right now. Every one of his releases are highly in demand (this particular release was going for $50 and it came out in 2011). Gotta step in and defend my city and say that this stuff sounds like NYC house records that have been pumped out since the mid-nineties. However, it's not to say that this is not quality. Brawther definitely has the production finesse needed to execute this sound (it's real easy to make bad house). And if you play this on a dark dancefloor, it will have more than the desired effect. I'm especially feeling the deep "GSMS Life" here, Snack likes the darker "Le Voyage." Judging by the secondary market, you should probably jump on this quick.

• music label: Balance 2011 / 2013

reviewed by the mgmnt 06/2013

Where to begin with the funky enigma that is Darondo? You probably clicked the "more info" button for one of two reasons: either you know Darondo's "Didn't I" as the lead-off slow-burner from Gilles Peterson's Digs America comp, or you saw the dude on the cover -- the one who looks like a pensive, iced-out Screamin' Jay Hawkins -- and just had to know who it was. No matter what the reason, you've just lucked out, for Darondo has got to be one of the most unexpected and pleasant musical surprises in recent memory. An underground legend in the Bay Area, Darondo was recently tracked down by Ubiquity Records. Not only did he give them permission to reissue some of his classic 1960's recordings, but he also went into the studio and recorded additional vocals for some of his unfinished works. Darondo's got range, too: you get a little bit of everything from his broad pallette, from hard funk to smooth soul joints. 9 cuts in all, in a pic sleeve which features the man himself on the front and details the entire saga of Darondo on the back.

• music label: Ubiquity 2006

reviewed by the mgmnt 01/2010

Bronx representing like whatever.. This 1968 release from Bronx-born percussionist Bobby Matos is one of the Latin Jazz albums serious diggers are always looking for (goes for about $200 in the original, but rarely available) .

• CuBop / Ubiquity 1968 / 2013

reviewed by the mgmnt 06/2013

Private press, numbered blaxploitation promo record that has sold for over $500. Pressed up for and given out at the movie preview at the annual convention of Delta Sigma Theta, Seattle, Washington, August 6th, 1975 (Delta Sigma Theta also put out the record on their D.S.T. imprint). Sounds like a Daktaris-type fabricated hype backstory , but by all accounts (posts and sales dating back several years), it's true. This is the first reissue of the album, and the grooves actually live up to the hype. Darker and deeper than Manu Dibango's "Soul Makossa", this is what you imagine an afro-blaxploitation soundtrack to sound like. There's even a heavy touch of jazz to give it that extra depth. And at 12 tracks deep (remastered as well) and clocking in at 50 minutes, there's a lot to get into here. Recommended.

• D.S.T. Telecommunications, Inc. 1975 / 2013

reviewed by the mgmnt 06/2013

Start Breaking My Heart is one of those albums that may throw some fans off. For those new to the world of Dan Snaith his debut album is something of an anomaly. The 10 tracks are relatively pure IDM, produced at a skill level high above what you would expect from a debut. It's a far cry from the brazen rhythms and crunchy, processed guitars of the albums that would follow, however it's a gentle reminder that the producer behind Daphni is firmly rooted in electronic production. Snaith shows a keen ear for off kilter loops which he mixes with disjointed rhythms. There is a light touch to nearly everything here, with warm synth pads easing you in and out of the mild cacophony. Acoustic instruments and live drums are woven together with heavily chopped beats. In the very least, Start Breaking My Heart proves to be an enjoyable listen that sheds light on the roots of Dan Snaith's many guises. Limited edition repress housed in a gatefold sleeve with free CD copy of the album.

• music label: Leaf 2013

reviewed by Michu Meszaros 06/2013

Dan Snaith has cloaked himself in many guises over the years. When he first appeared as Manitoba, it was with the personal IDM of Start Breaking My Heart. The follow to that album, Up in Flames, threw the previous album's rule book out the window and sounded like the work of someone completely different. The precise electronics were traded in for pounding live drums and screaming guitars awash in noise. With the success of that album came more wide spread exposure and a threat from Handsome Dick Manitoba of the Dictators. Papers were served, a trade infringement lawsuit was threatened, and Caribou was born. The first offering from Snaith's new incarnation was Milk Of Human Kindness. The album follows that path set by Up In Flames but travels further down the psychedelic rabbit hole. The song arrangements are tighter, the individual elements more present and the vocals more pronounced. One thing that remained intact was the pounding, pedal to the metal energy of Up In Flames. And when that translated to two drummers in Caribou's live formation you really got a feeling for what Snaith was on about. Songs with potent dynamics and dramatic builds that smack you across the head once they reach full steam. Limited edition repress housed in a gatefold sleeve with free CD copy of the album.

• music label: Leaf 2013

reviewed by Michu Meszaros 06/2013

After several 12"s and a full length on Bristol's Black Acre imprint, Hyetal steps out on True Panther for a glimpse of his forthcoming album. "Northwest Passage" finds David Corney (aka Hyetal) exploring the fusion of lush atmospherics with heavy electro jack rhythms, topped with ethereal vocals courtesy of Gwilym Gold. The result is something undeniably fresh that will work on and off the dancefloor. Speaking of the floor, Gabe Gurney's Factory Floor remix is aimed square at it. His version distills the track down to it's core elements for maximum shaking and moving on the future Chi-town acid tip. Also includes Vessel's Cassion Remix that embraces darker, brooding energies. Comes packaged in plastic sleeve with artwork insert.

• music label: True Panther 2013

reviewed by TKB 05/2013

Yeah, yeah we know, but Tom Caruana pulls this off pretty damn well. Originally released as a download back in 2010, Enter the Magical Mystery Chambers nearly slipped under our radar. The UK based producer takes Wu acappellas from various posse cuts and solo projects and throws them over beats made from Beatles samples, Beatles covers samples and a bunch of other stuff that somehow relates to the Beatles in one way or another. In fact Caruana spells it all out for you on the track listing on the back cover. For the most part he pulls it all off pretty much from go. You can take or leave the intros and interludes, but the time spent gathering the source material seems to have been worth the effort. The beats stay pretty true to RZA style production while chopping the samples, which serves the raps well. Enter the Magical Mystery Chambers is probably not on the road to reach Grey Album status, but Tom Caruana does us all a service and breaths new life into the Wu-Tang Clan's back catalog. Limited edition pressing on 2LP clear vinyl.

• music label: Not On Label 2013

reviewed by Kool Moby 05/2013

Heat alert! The mysterious Harry Baldi comes through with two sides of white label dopeness kicking off with the killer dub-disco house vibes  of  "I Can't Kick This Feelin" (house heads will recognize the melody from the Moodymann classic of the same name). This one is guaranteed to to heat up the dancefloor with low slung bass, skankin' keys and that infectious vocal that KDJ made famous. "Tonight Tomorrow" on the flipside takes a Theo style approach (sounds like a lost Ugly Edit) with bubbling bass and feel good vibes to keep the good times rolling. This one won't be leaving the bag anytime soon! Recommended.

• music label: White 2013

reviewed by TKB 05/2013

Balearic gems from Grace Jones compiled by the good folks at Sunkissed Records! Sunkissed has been killing it with these Balearic Sound comps (this follows best selling volumes from Sade, Simply Red, and Fleetwood Mac) and here we have one of the best yet. You already know Ms. Jones gets the dancefloor movin' and shakin' with classic joints like "Pull Up To The Bumper" (available here in the essential Larry Levan Mix) and "Nipple To The Bottle," but Sunkissed digs deeper to reveal some more sides you might've missed. "Feel Up" rides a similar tropical dance vibe as the previously mentioned cuts, but "La Vie En Rose" is the crown jewel of the EP. The track was edited and released by Mark E not too long ago, but here is the full 12" Tom Moulton mix in all its glory. Can't front on the beautiful vibe this track creates. Recommended.

• music label: Sunkissed 2013

reviewed by TKB 06/2013

B.J. Smith (of Smith & Mudd fame) delivers a pair of brilliant cover versions of two hip hop favorites. Anyone familiar with Smith's work with Smith & Mudd should already know he is an expert in chilled-out balearic grooves, and here he lends his soft touch to stone cold classics from Mos Def & the Pharcyde. Somehow Smith is able to extrude the deep, soulful vibes from the core of the originals and translate them into stunning balearic folk ballads. Check the samples - you've never heard "Umi Says" and "Runnin" quite like this before! Recommended.

• music label: Nu Northern Soul 2013

reviewed by TKB 06/2013

It's bigger than hip hop! Of course it is. Mashup master Max Tannone continues his mix and match spree with Mic Check 1234. The title pretty much says it all if the cover didn't do it for you; classic punk anthems smoothly blended with rap's greatest hits. It really makes me think of the perfect spring break soundtrack. There's plenty of ways you could go wrong with this, but Tannone kinda kills it. He takes two favorites and puts 'em together for maximum fun and enjoyment. As far as what the OG punks and hip hop stars may have to say about this, who gives an f? These are real party jams for real party people! Peep "America Calling" for a prime example. The Clash's "London Calling" is the kind of song that everyone knows but they don't know, combine that with a little Eminem and the white kids will be calling you king in no time. The real killer here is the M.O.P. and Operation Ivy mash fiesta "Ante Up The Crowd." Shipset's Really Nathan was particularly geeked on that one. Recommended for sorority bashes, beerpong championships and summer camp hazings.

• music label: Max Tannone 2013

reviewed by Kool Moby 05/2013

The first release from Theo Parrish's new imprint Wildheart Recordings and it's hot! According to Theo, "Sound Signature releases for the body, Wildheart is for everything else." And if that everything else features legendary Afrobeat drummer Tony Allen along with a host of other notables from Theo's previous releases then we'll take as much as we can get. Allen and Theo initially met at Red Bull Academy in 2007 in Toronto and linked again in 2010 when they spent a couple of days together in London with a little help from the energy drink manufacturer. Vocalists Eska and Andrew Ashong (who also contributed on bass) added their finishing touches in 2012, along with some guitar from David Okumu. "Day Like This" plays out like a modern soul classic with the additional benefit of the poly rhythms provided by Allen. A soulful cut that is destined for great heights. On the flip things move further afield with "Feel Loved." Again the Allen's drumming is on full display, but we are in deeper waters here. These two strong cuts leave us wanting more from Wildheart! Recommended.

• music label: Wildheart Recordings 2013

reviewed by Hank Ohs 05/2013

Damn does this have summer anthem written all over it! Legendary DJ Justin Strauss got his start DJing at the Mudd Club in 1980 and has held down residencies at pretty much every notable New York club since then. He's also had a hand in remixing the good to the great. A/Jus/Ted sees him team up with Brooklyn based producer Teddy Stuart and the result is nothing short of a deep house anthem. Steeped in old school vibes, "A Brighter Light" really starts to shine when Jeremy Glenn's vocals drop. It's a timeless sound that sounds nearly effortless in these two producers' hands. For a meatier version turn to the Lars Vegas mix where the kicks get more punch and bass stabs shake the house. The Re A/Jus/Ted Mix does away with most of the vocal to travel down a dark and dubby path. Recommended.

• music label: Under The Shade ‎2013

reviewed by Joey Coco 05/2013

More dancefloor heat from Late Nite Tuff Guy with the second volume of his TUFF CUT series! Following killer edits of Toto and Janet come another pair of smokin' edits guaranteed to fill the floor. First up is Rufus & Chaka Khan's "Ain't Nobody" tweaked in just the right parts for easy mixing and maximum effect, total no brainer. On the flip, LTNG gets creative on the mash-up with parts from Chic's "My Forbidden Lover" and Soul II Soul's "Back To Life" vocals. The result is undeniably fresh, and sure to work the floor proper. Stamped, white label pressing. Recommended.

• music label: Tuff Cut 2013

reviewed by Von Bee 06/2013

Soulclap taking it back to their Beantown roots! The prolific DJ/production duo of Charles Levine and Eli Goldstein put Boston back on the dance map and now with Dancing On The Charles (named after a series of outdoor parties they threw on the Charles river), Soulclap are showcasing the best of the local Boston scene. This is the 12" sampler for the album and features standout cuts from some relatively unknown artists as well as tried and true favorites. Check the smooth grooves of newcomer Mystery Roar's "Mayhem" and John Barera's "Wait For It" that take the vibe into the deep without losing the soul, while Soul Clap's own "I Want You Love" slows it down and heats it up. Also includes a sweet jazzy remix of Matthew Larkin Cassell's "Heaven" from Lab fave Kon and the homie Bosq.

• music label: Soul Clap Records 06/2013

reviewed by Von Bee 06/2013