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Easily the most anticipated release in Serato's Artist Series to date. They went big on this one and got Shepard Fairey, the man behind the OBEY movement. Fairey went from making from a simple sticker ("Andre The Giant Has A Posse") to creating a worldwide phenomenon with the OBEY campaign, and changed the way people see the urban landscape through street art. For his Serato pressing (the third in the Artist Series), Fairey has created 4 orignal pieces that adorn each side of the double LP set. No music on this one, just the Serato control tone on each side. Limited to 2000 pieces, recommended.

Record Store Day 2012 exclusive! How perfect is this? Pretty In Pink on solid pink vinyl! An obvious move for 80's babies, nostalgists and retro film buffs. Plenty of big names on this OST including New Order, Psychedelic Furs, Echo & The Bunnymen, The Smiths, INXS, OMD, Suzanne Vega & Joe Jackson, and many more. Limited to 2000 copies worldwide so act quick!

• music label: A&M Records 1986/2012

reviewed by Von Bee 04/2012

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03.27-2

Red Astaire returns to the label that made him famous. When the needle drops, you'll be warped back to early 2000. Two b-boy style, bouncy breakbeat tracks inhabit the A-side while the B-side conceals two signature Red mashes. Black Moon's "How Many Emcees" gets an age-approriate smokey beats rework (Walt would nod in approval), and Bob gets a modern dub seaweed wrap. Loving the red vinyl pressing too, recommended.

• music label: GAMM 2012

reviewed by the mgmnt 05/2012

• housed in a "music box" case, that plays a snippet of "Oh Sh*t" when lid is opened
• includes (7) 7" records pressed on different colored vinyl + replica mini-jackets
• includes 5 previously unreleased tracks
• double CD with 24 rarities: 7 instrumentals, 5 acapellas, 6 remixes, and a bonus promo-only track
• 21" x 28" poster + 120 piece puzzle featuring iconic cover art
• detailed linear notes by J-Swift + never-before-seen vintage photos

Here's where it started, the debut album from Steven Ellison aka Flying Lotus, back in print on splatter grey vinyl! Before blowing up on Warp or running his Brainfeeder label, we already had a feeling that Flylo was destined for big tings. Check our original review from 2006: Out here in LA, this Flying Lotus guy has been receiving a lot of hand to hand, word of mouth type hype. I don't even keep up with this kind of stuff, but his name has been in the right conversations for a minute. You know something's got to be pretty good when people are saying "Stones Throw intern" and "you need to check this out" in the same breath. His sound basically fits in with the whole Los Angeles underground future soul thing (SIC, Sa-Ra, Dilla, PPP, Ubiquity sound, etc), but taking it even more into the cosmic mind feckery through instrumentals like "1983." I like where this is going; no half stepping on the outer space ish with this guy. Strap in, float around, talk to Hal, cause there's 10 tracks of this stuff. "Pet Monster Shotglass" is one of my favorites, if nothing else for onomatopoeia of it (sounds like a drunken little buddy from the muppets). Aside from the space shit, Brazilian influence pops up more than once, sometimes only in name, like "Orbit Brazil," and later in style with "Unexpected Delight" featuring Laura Darlington on some very pretty vocals. This is one of those records that can kind of be whatever you want it to; pay attention and get lost in the subtle complexity of his wrap around sound (z o n e o u t), or just leave it on in the back and get some work done. Includes a Daedelus remix of "1983," and I guess I should mention that he descends from the Coltrane line. Recommended.

• music label: Plug Research 2011

reviewed by the mgmnt 2006

Record Store Day 2012 Exclusive! The quintessential 80's movie spawns the quintessential 80's soundtrack. All your favorite tunes from The Breakfast Club are here on "dandruff" white vinyl. Features all the hits from Simple Minds ("Don't You Forget About Me"), Wang Chung ("Fire In The Twilight"), Karla DeVito ("We Are Not Alone"), and many more. Limited edition, individually numbered, special anniversary pressing.

• music label: A&M Records 1985/2012

reviewed by Von Bee 04/2012

Another meeting of the minds on wax. Burial and Four Tet are two names that need no introduction. Both have been at the top of their game for awhile now, and when they put their heads together, you can bet the result is gonna be something brilliant. "Nova" is their third collab 12" ("Moth/Wolf Cub" came before, and the first was with Thom Yorke) and once again the duo exceed expectations with a track that is melodic, ethereal, driving, and deep, all at once. Does this complete the trilogy? Only time will tell. Limited copies, pressed on one sided vinyl. Recommended.

• music label: Text Records 2012

reviewed by TKB 05/2012

It's a match made in disco heaven. P&P Records is synonymous with the original disco sound (of Harlem to be exact), and who better to dig through the archives and compile and mix the best jams from their massive catalog? The one and only DJ Spinna! Ya'll should be familiar with Spinna's undeniable talent as a selector behind the decks, and this release is even more proof of the skills. For the mix version, Spinna runs through 21 P&P joints - from soulful groovers, uptempo movers, to disco breaks galore - all mixed and cut up to perfection. Seriously, this is how you do a disco mix people! Contains tracks from Cloud One, Ahzz, Karisma, Little Scotty, Queen Yahna, Louise Murray, Mary Clark, Marta Acuna, Golden Flamingo Orchestra, and many more. The double LP version contains 8 unmixed, full length versions of tracks from the mix that also happen to be some of the rarest P&P cuts from the catalog (check the insane unheard funk of the Michael Campbell and High Voltage joints, or the smooth chillout grooves of Cloud One). And if that wasn't enough, it's pressed up on bright pink vinyl! Disco heads will not want to miss this, recommended.

• music label: Five Day Weekend 2012

reviewed by Von Bee 04/2012

This isn't really a traditional "mash up" album (sorry if you were hoping for another Grey Album), rather, Bullion took snippets of songs from the Beach Boys' classic Pet Sounds and chopped them up with snippets from J. Dilla's catalog to create a new school beats masterpiece (seriously). Check the samples if you don't believe me - I'm partial to "Don't Talk," "You Still Believe In Dee," and "I Just Wasn't Made For These Times," but the whole album is damn solid. Fans of The Beach Boys, Dilla or both definitely need to take a listen to this. 13 tracks, plays at 33. Recommended.

reviewed by Hires 09/2009

Here it is, M.I.A.'s highly anticipated 3rd album /\/\/\Y/\ on double 180g vinyl and 4 bonus tracks! As with her previous albums Arular and Kala, /\/\/\Y/\ aims to push boundaries, push buttons and blend genres (this time exploring territories like rock and dubstep). This is possibly her most controversial (and biggest?) album to date, backed by all-star production from a team of Lab favorites including Diplo, Rusko, Switch, Blaqtarr, and M.I.A. herself! You've probably heard the mixed reviews, but here's the sound samples so you can decide for yourself: the single "XXXO," "Steppin Up," "Teqkilla," "Lovalot," "Born Free," "Tell Me Why," Space," "Internet,"Illygirl,""Believer," "Caps Lock." 16 tracks total, recommended.

• music label: N.E.E.T. / 2010

reviewed by Von Bee 07/2010

Instrumental version of Elzhi's Illmatic tribute with all the beats replayed LIVE by Detroit's Will Sessions! Not taking anything away from Elzhi's raps (which are super on-point), but Will Sessions' renditions of these classic beats by Primo, Large Pro, Pete Rock and Q-Tip are just insane and pretty much make the album. The Motor City band has been rocking the live funk for years now (the players are affiliated with Detroit's infamous Funk Night party and record label and have played with everyone from Mayer Hawthorne, Slum village, Black Milk, Phat Kat, etc) and are more than well equipped to rock the funk. On first listen you might even think they are the regular instrumentals, but then the the beat will get extended or flipped and you're like "damn, this is all live!?". DJ Premier himself was even very impressed (see video below)! 10 tracks including "Detroit State of Mind," "Genesis," "One Love," "It Ain't Hard To Tell," "Halftime," etc. plus free download card. Full pic sleeve, pressed on 180g vinyl. Recommended.

• music label: Fat Beats

reviewed by Snackmaster 09/2011

Super tuff reggae soul tunes on limited edition 45. London's Booma Rockers deliver the heavy heavy sound on "Soul Food," with Ghanaian saxophonist and vocalist Teddy Osei and some of the meanest breaks we've heard around these parts in awhile. Flipside features "Booma Rock" with its bouncing reggae funk vibe and vocals courtesy of Jean Manix. Both were originally released on Rude Boy Records back in the early 70's, and have remained out of print till now. Only 1000 copies pressed, with free download card included!

• music label: Soundway

reviewed by Extravagant Traveler 04/2012

The Soundway-Quantic-Edits connection has been crucial like a Metta elbow to Harden soft jawbone. I love me some afro-funk but some of Phish-style jam versions could use an editor's touch. Enter Miles Claret (aka Hide & Smile) to trim down the 30 minute plus "Ahyewa" into a digestable DJ version. Quantic cleans up the b-side with two more patented edits of lost afro-funk gems which doesn't need any additional fluffery from yours truly. Limited to 1000 copies, includes MP3 coupon. Recommended.

• music label: Soundway 2012

reviewed by the mgmnt 05/12

When I was in high school, I thought I was some sort of stoned philosopher. Talking about reptilian minds and shit, I used this album as my portal to higher consciousness and advanced stonerism. I worshipped the fuck out of this record, so much so that I camped out by the Twin's tour bus, because my friend Stang made me miss his first appearance in DC. Anyway, usually whenever I travel back to that phase, most things make me want to vomit. Floor scrubbing jeans, check. Phillies blunts shirts, check. H-cut ecstasy, check. Rocking clothes with 8 Balls on em, check. Dirty rave boderline-hippy chicks, check. BUT, the thing about this album is that I still worship it. From day one, I declared this one of the records I would take onto that mystical desert island, and I still would (along with the Queen is Dead and Loveless, so tacky). In my mind it's the best electronic album ever. The first track "Xtal" is as close to heaven you'll get through a walkman. "Ptolemy" is breakbeat driven lush. "We Are the Music Makers" is my dubby buddy. Some tracks are outright strange, and will rewire parts of your brain. 13 tracks spread over 2LPs on a limited edition grey area pressing. Recommended.

reviewed by the mgmnt

So this maybe the first time an internet meme has made it to 7". Jimmy Fallon's ode to Tim Tebow over Bowie's "Space Oddity" is undeniably catchy and pretty well done. The flip side sees Fallon jumping into Jim Morrison's shoes to cover "Reading Rainbow" in a very Doors-ish style. Say what you will, Fallon does a pretty impressive job of impersonating these rock gods.

• Music Label: Warner Bros 2012

reviewed by Michu Meszaros 04/2012

Another sureshot 45 from Detroit's Funk Night Records via Motor City heavyweights, Will Sessions. These guys are killing it from every angle - funk, jazz, fusion, hip hop... Apparently they can do no wrong! On this one they go for a tough reinterpretation of BR Gunna and Phat Kat's "True Story." These guys are masters at giving hip hop beats a real live feel. On the flipside things get heavy heavy on "Dub Rock," a track based off the Black Milk cut of the same name. Two sides of fire right here, well recommended!

• music label: Funk Night Records 2012

reviewed by Von Bee 05/2012

BOO-YAO! BBE has been teaming up with Al Kent over the past few years to put out some mind blowing compilations of lost disco heaters, but this one takes the cake! For their latest collaboration, the label has compiled all 5 volumes(!) of Kent's Disco Demands series into one massive 5 CD set (and you know if anyone has enough rare disco gems to fill 5 CDs worth of material, it's Al Kent). Along with impossible to find original cuts the compilation features a ton of exclusive re-edits that Kent has made a name for himself with. Here's what he had to say about the release: "The Disco Demands series started sometime in the early 2000s - I couldn't give you an exact year because it didn't feel like a big deal, so I never noted it. I simply wanted to put out a compilation of some records I really liked and maybe make a little of the money back I was spending on them. Buy some food and stuff. There's always been Disco comps around of course but there was rarely anything that strayed too far from the standards; the same songs kept appearing over and over again, or the comps would feature records you could pick up anywhere for little money. I've never seen the point in that. I gave up judging a record on its value or rarity a long time ago but surely there's more to disco than Exodus, Martin Circus, Mass Production and all those Salsoul, West End and bloody Prelude records. So it was a nice surprise to find that there were other people out there who thought the same way. Volume 1 was pretty straightforward - just some nice records, with the only edit being an instrumental of "Disco Socks"; a strange, thinly veiled reference to the disco sucks movement. Then on Volume 2 I included a few of my edits and introduced the cover up concept to the disco world. That caused a bit of controversy, which of course I loved. And so it continued for five volumes. What we have here then is the full series, give or take one or two cuts, all remastered, many re-re-edited, with lots of nice naked pictures to boot." 45 tracks spread over 5 CDs and housed in individual sleeves with sexy cover art. Must-have release for the disco heads, RECOMMENDED.

• music label: bbe

reviewed by The Voice 01/2012

Will Sessions are at it again! After garnering props from everyone (including DJ Premier) on those Elmatic instrumentals, and killing it on the funk tip on all those (now sold out) Funk Night 7"s, the five piece band from Detroit is back with "mix takes". What is a mix take you ask? A "mix take" is actually one long continuous funk jam, recorded live and in one take, that goes through all manner of classic hip-hop and funk break tunes. Hear Dilla and Slum Village beats flawlessy morph into the funk breaks they came from, live versions of Nas instrumentals with fresh unheard solos, you get the idea. And if you don't check the video below. Super dope stuff! No tracklist (as it is all a continuous a mix of grooves), but real heads will be able to call all the songs on this piece. Recommended.

• music label: Fat Beats 2012

reviewed by Von Bee 01/2012

Just by the cover, you can already tell this is gonna be pretty awesome. Let's see, you got dudes wearing funky race suits and helmets (looking very proto-daft I might add)? Check. Analog synths and drums? Check. Outer space back drop? Check. Plus diggers will note it was released in the prime year of 1983 on the French Savoir Faire label so you know it's gonna be some funky moments. Case in point with the funky groover "Cruisin'" that kicks off the LP on a spaced out italo boogie tip. The cosmic synth work continues on the title track "Grand Prix", but with an almost tropical flair to the rhythm. You also get some spaced out italo joints in "Crash Barrier" and "Eternity," plus the uptempo mover "On The Border" with those wild guitar solos. Oh and did I mention this was produced by legendary French producers Jean-Pierre Massiera and Bernard Torelli? It's no wonder this is on the top of many Cosmic/italo want lists! Recommended.

• music label: Savoir Faire 1983

reviewed by snackmaster 04/2012

The world of "italo" music spans everything from cosmic disco, to hi-nrg, to balearic classics, and everything in between. Bagarre's Circus definitely falls into the "everything in between" category. Originally released in 1982 on the tiny Italian label Sauvage Musique, Circus has a decidedly left field slant on italo. It's part new wave, part rock, part disco, and totally one of a kind. For a taste, check the single "Lemonsweet," (here in both standard and disco versions) with its super infectious, oddball pop vibe and out-there lyrics from Ann O'Rack (who handles vocal duties throughout). "Dirty Love" takes the energy down a notch on a sleazy Fleetwood Mac tip, while "For Your Pleasure" takes it to a funky post-punk level. Circus is a cult collectors item for the italo diggers, fetching a good price on the 'Bay and the 'Cogs when it pops up, but luckily it's been reissued (and remastered!) here for those of us without deep pockets. 7 tracks total in bizarre pic sleeve. Recommended for those looking for something different.

• music label: Sauvage Musique 1982 / 2012

reviewed by TKB 04/2012

Fresh boogie funk flavors by way of Miami's Psychic Mirrors! This is their debut release on their very own Cosmic Chronic imprint (distributed by the boogie connoisseurs at PPU, who else?) - and from the sounds of it, they've definitely got the smooth electric grooves to make you move! Both tracks ("I Come For Your Love" and "The Witching Hour") have that 80's synthesizer funk on lock (produced by Mickey de Grand IV with a little help from Cecilia de Cardenas), so slide it on to the turntable and just groove to the Magic City vibes!

• music label: Cosmic Chronic 2011

reviewed by Von Bee 04/2012

Official J Dilla Serato release! Donut Shop is the result of a special collaboration between Serato Pressings, Stones Throw and the J Dilla Estate. This limited edition set includes 2 discs featuring 6 previously unreleased Dilla tracks, 2 sides of Serato Control Tones (for use with Serato Scratch Live), and 2 exclusive donut slipmats. The whole thing comes in a handsome package designed by Studio No. 1. The tracks themselves were selected by J. Rocc from the Dilla archives and feature 3 tracks ("Safety Dance," "Sycamore," and "Bars & Twists") as well as 3 unreleased instrumental versions of Dilla tracks with Mos Def, Busta Rhymes, and Q-Tip. Must have release for Dilla fans and Serato users alike. Recommended.

• music label: Stones Throw / 2010

reviewed by snackmaster 06/2010

Rest in peace, Amy Winehouse. The British singer's acclaimed blend of r&b, hip-hop, soul, and jazz - fueled and hindered by her well-publicized personal demons - lives on, however, and this special-edition colored vinyl collects 10 tracks from her catalog. There are two versions of "Valerie," a cover of The Zutons track which first appeared on Mark Ronson's Versions album, as well as "Rehab," "You Know I'm no Good," "Back To Black," "Tears Dry On Their Own (sampling "Aint' No Mountain High Enough"), and "Love Is A Losing Game" - from Back To Black - which showcase the perfect chemistry between the British talents. Rareer tracks like Frank outtake "Fool's Gold" and "Best For Me" are also included, and another standout is Winehouse's powerful, achy cover of The Shirelles' "Will You Still Love Me Tomorrow". Not only is this LP a pleasure to listen to from beginning to end, most of the tracks are proven dancefloor weapons for DJs. Recommended.

reviewed by nakinboots 08/2011

Creature Dreams is Jennifer Lee aka Tokimonsta's second EP, and the LA beats luminary, with support from Mary Ann Hobbs and Flying Lotus, continues to showcase her ability to churn out some of the heaviest, spaced-out, and melody-driven sounds in the scene. "Fallen Arches" opens up the release with harpsichord loops and effects-drenched drums, followed by "Little Pleasures," which features a catchy hook from Gavin Turek. Also check out "Bright Shadows," and "Stigmatizing Sex," or "Darkest," another excellent, emotion-charged track featuring the hypnotic vocals of GT. Recommended. 

• music label: Brainfeeder

reviewed by snackmaster 09/2011

At the time in 1993, this album was groundbreaking. Not only was Stereolab heavily referencing Krautrock before most of us knew what it was, the band threw in the easy listening / space age curve ball that became their calling card. Broken up into "Easy Listening" and "New Wave" sides, this album only gets better with age. This 2008 reissue comes with a free MP3 download coupon and new linear notes. Recommended.

• music label: Too Pure 2008 /1993

reviewed by the mgmnt 04/2012

Let me take this as a moment to say The Cure sucks bad now. Coming from a diehard fan, please stop making music. Robert, your voice has turned into an eternal whine, and please change le whack stylez! You look like you belong at The Gathering of the Juggalos, not the pinnacle of new wave history.

That being said, this Record Store Day 2012 release is pretty awesome. For Disentegration fans, Entreat (live recording from Webley 1989) is an essential compliment to the masterpiece. Disentegration is so well-produced (some may say over-produced), this stripped down version really cuts to the core of the black mascara and puffy high tops. Entreat has quite a discographic history (import-only release, released as bonus CD, RSD 2010 Euro-only release), but this marks the first time that it's been available in the US in its full 12 track glory, replicating Disentegration's tracklisting (the original Entreat only had 8 tracks). Recommended.

• music label: Rhino Records 2012

reviewed by the mgmnt 05/2012

MC5's "Kick Out The Jams" is one of the most iconic songs of proto punk out there. You've probably heard it even if you think you haven't. The hippies didn't know what hit them when the MC5 took the stage in 1969. On the flip is Afrika Bambaataa's cover of the same tune. Originally released on Afrika Bambaataa And Family's Beware (The Funk Is Everywhere) it's almost a novelty a this point. The sound is pure 80s gated reverb and hair metal guitars. Limited edition pink and white marbled vinyl.

• Music Label: Rhino 2012

reviewed by The Voice 04/2012

Special 4LP repress of The Cosmic Game for Record Store Day 2012. This album was originally released back in 2004 and found Thievery Corp on top of their game with a host of very impressive host of guest artists. By this point TC had fully mastered the downtempo, world, lounge, ragga hybrid style they are famous for and on top of that, they had the clout to get big names like David Byrne, Perry Farrell, and The Flaming Lips up in the mix. Highlights include "Warning Shots," "Revolution Solution," "Amerimacka," and "Sol Tapado." Pressed on clear swirl vinyl, limited to 500 copies worldwide.

• music label: ESL Music 2004 / 2012

reviewed by Extravagant Traveler 04/2012

It's a super collabo! Honest Jon's really got something special here with Erykah adding some catchy Baduizms over Rocket Juice & The Moon's (aka Damon Albarn of Blur and Gorillaz, Flea of RHCP, and afrobeat legend drummer Tony Allen) brilliant instrumental groove. The result is re-dubbed "Manuela," and it's only available on this 10" so don't miss it! On the flip, Mark Ernestus of Rhythm And Sound gets down on the wicked dub mix. Comes in custom silk-screened sleeves, recommended.

• music label: Honest Jon's 2012

reviewed by Extravagant Traveler 04/2012

This has been on heavy rotation in the Lab office ever since we got the promo a few months ago. It's one of those albums you can put on and know that every song is gonna be awesome, no fillers or skippers... basically, it rules. The album compiles the best releases from the Soul Cal label, which means you get the best rare soul and funky soulful disco cuts circa 1971 to 1982. You can bet that each and every song on here is dripping with that vintage soul goodness - the kind that puts a smile on your face and makes it seem like the sun is shining on you (even when the weather sucks outside). Check out some of the office favorites like Record Player's "Free Your Mind," Rhthym Machine's "Put A Smile On Time," Mixed Feeling's "Sha La La," Luther Davis' "You Can Be A Star," or just click on any of the samples - they're all that good! This deluxe release (both 2LP and CD) also comes with an 80 page full color companion book filled with rare photos and details each bands history. Essential purchase for the soul enthusiast. Highly Recommended.

• music label: Soul Cal 2012

reviewed by snackmaster 04/2012

NY's Discovery party spawns their first vinyl-only release. Party residents Free Magic and Jkriv drop two sides of warm house that would sound equally at home at Santos or the Shelter. I'm particularly feeling the sparkling house sounds of "Sing"; it has outdoor party tattooed across its belly. "Chant" is an excellent foil with darker chants taking you across town to Turntables On The Hudson. Recommended.

• music label: Discovery Recordings 2012

reviewed by The Mgmnt 03/12

The long awaited and heavily anticipated debut full length from Alex Frankel and Nick Millhiser better known as Holy Ghost!. And I bet you're wondering if it was worth the wait. After dropping the killer "Hold On" way back in 2007 they quickly became in demand, remixing everyone from Cut Copy and MGMT to Moby. It was easy to see why back then, and this album makes it even easier. From the opener "Do It Again" it's clear that they have spent their time behind the boards honing their craft. There is a ton of surefire dance floor fillers here and the sound does not feel overstuffed with unnecessary bells & whistles. I can easily see most of the tracks being played back live to a room full of head over heels ladies. Holy Ghost! have always seemed to straddle the line between revivalist 80s pop-funk and throw back disco to me. There's touches of Steely Dan and The Doobie Brothers as well as Gary Numan and a little "Safety Dance". And speaking of the Doobie Brothers, they even got Michael McDonald to drop guest vocals on one of the songs (Some Children)! With songs like "Wait And See", "It's Not Over" and "Slow Motion" you can bet you'll be hearing a lot of this record for the rest of the summer and beyond. 10 tracks spread over 2LPs, now housed in natural brown covers with 24" x 36" fold-out poster of (pretty much) the entire DFA posse. Recommended.

• music label: DFA 2012
• Vinyl Version is brown cover version
  
• CD Version is white cover version

reviewed by The Voice 08/2011

Debut release from the Mister Saturday Night crew! Justin Carter and Eamon Harkin have been holding down Brooklyn for a minute with their Mister Saturday Night loft parties (and the Sunday Best parties before that), bringing a host of international all-stars to our great borough including Motor City Drum Ensemble, Theo Parrish, Caribou, and Pearson Sound to name a few. After many great parties, it only makes sense that a record label would follow so here it is! The first installment comes courtesy of newcomer Anthony Naples. Naples gives the world a taste of the Brooklyn house flavor with three tracks that do a great job of capturing the vibe of the MSN parties, especially with the deep bumps of the title track "Mad Disrespect." Gotta love those warm chords and soulful vocal chops. "Slackness" is a stripped down percussion work out that takes it deeper, while "Tusk" closes it out - bringing back those deep dreamy chords one more time for positive dancefloor vibes. Limited hand stamped copies.

• music label: Mister Saturday Night 2012

reviewed by Von Bee 05/2012

As Lab customers, you know that when major label compilations advertise themselves as "rare grooves," it's not always true. That is most definitely not the case here. I don't even know where to start with this one. Here's the story: Rhino recently released a 4CD box set with an insane number of rare soul and funk tracks from the vaults of the Atlantic, Atco, Josie & Warner labels. What we have here is the companion set: a super limited edition (5,000 copies worldwide!) custom boxed set featuring 25 of the rarest tracks from the compilation, remastered and pressed in their original 7" formats, complete with their original B-sides. This thing is done proper, with reproduction sleeves and stickers just like the originals, but without the ridiculous price tags. At record shows or on eBay, you could expect to pay anywhere from $10 to $100 for mint copies of these 45s (with the majority here landing in the $20-$40 range), so while the price tag may look intimidating at first, it's actually a true bargain. Not to mention the music itself! Though you may know some of the names here already (The Commodores, Wilson Pickett, Little Richard, The Meters), the tracks selected for the big name artists are certainly not the most obvious or popular in their catalogs. This ain't no best-of. To dissect this thing further would take a very, very long time, but some of the highlights include: Funkadelic axeman Eddie Hazel with a stunning cover of The Mamas & The Papas' "California Dreamin'," The Gaturs' sunny "Cold Bear," Tony Alvon & The Belairs' blaxploitation soundtrack joint "Sexy Coffee Pot," Titus Turner's "His Funeral, My Trial" and The Beginning of the End's classic "Funky Nassau," parts 1 and 2. Comes in a custom-made 45 box with a handle and locking metal hinge. 

• music label: Rhino / 2006

reviewed by Chris Lemon-Red 11/2006

First time domestic reissue of this classic from B-Music and Light In The attic. This deluxe version features glossy gatefold packaging and extended linear notes and a 1971 interview with Serge. Here's our original review: "There are many reasons to add this album to your collection, not the least of which is the incredible covered cooter proudly displayed by Jane Birkin (aka Jane B). Damn those hippie girls from Blow Up. Fans say this is French rebel icon Serge Gainsbourg's masterpiece. And it's got beats. Although broken into a few different movements, Histoire De Melody Nelson is a singular piece of work held together with Serge's gravel lyrics, a recurring tar-pit bass and the story of Melody Nelson. The album is book ended by "Melody" and "Cargo Culte" which both utilize the album's centerpiece- that haunting bass that you will recognize from the Beatnuts' "Superbad." En Melody" also deserves mention for the great intro and controlled spazz guitar work (sampled by De La). Serge was a legend- banned in many countries for his blatant sexual and political messages, loved by women despite having a "head like a cabbage," always centered in controversy and usually producing interesting work. In Serge's later years, he attended an awards show and told Whitney Houston "I want to fuck you" on live TV. ODB would be proud. Recommended.

• Music Label: Light In The Attic 1971/2009

reviewed by the mgmnt 04/2009

Vintage electronic sounds from Cameroonian musician Fransis Bebey compiled. Though many know Bebey for his classical guitar compositions and pop songs (which were hits in Africa and French speaking countries), few are aware of his musings with electronic music in the '70s. This compilation from France's Born Bad Records shines light on the era from 1975 to 1982 where Bebey was experimenting with early drum machines, keyboards, organs to totally control his compositions. During this time Bebey embraced the technique of "sound on sound" recording with his new instruments (recording several tracks, sequentially juxtaposed on the same track) and the result has to be heard to be believed. Check out the awesome lo-fi synth groove of "Savannah Georgia" and "Divorce Pygmee," or the cooled out afro vibes of "New Track" and "Fleur Tropicale" for a taste. This album features 2 LPs worth of Bebey rarites making it a true gem of a record for African music lovers and fans of early electronics. Recommended.

• music label: Born Bad Records 2011

reviewed by Extravagant Traveler 04/2012

Back on double vinyl! A daunting task reviewing this record, but here's a try. Not to get all textbook, but 93 Til Infinity is one of finest embodiments of youthful expression. This is the Lebron of hip hop records, a young prize pit bull on a chain link leash. Somehow on this album the producers were able to harness the complete wildness of Souls into 14 coherent hip-hop classics. It's what separates NBA from And 1. Ever hear an early Hiero freestyle? It's one of the baddest things on earth, but freestyles don't make a classic record (just axe Supernat). There was magic in the studio, and it's fitting that the Souls give it up to this magic in the albums title track. "Anything Can Happen" rivals a young Nas in vivid storytelling, but Nas didn't have to coordinate 4 separate voices. That's finesse, and "That's When Ya Lost" is straight fire. Combine "Lost" with "Let Em Know" and "Live and Let Live" and you have one of the most dynamic openings since, hmm... Midnight Marauders? For kicks, throw in equinox apocalypse Del on a track like "Limitations" and see how wild it can get. This review is starting to get sporadically hectic, precisely the opposite of what the Souls did on this one. Excellent quality reissue spread over 2 LPs with pic sleeve.

• music label: Jive 1993 / 2012

reviewed by the mgmnt

Double LP pressing of Odd Future's latest album for Record Store Day 2012. Domo, Tyler, Hodgy, Left, Syd and the rest of the Wolf Gang have had the internets buzzing for a minute now, and with The Odd Future Tape Volume 2, the LA crew solidifies their place in the pantheon of irreverent, no-fuck-giving rap groups. The album delivers a great overview of what Golf Wang is all about - the majority of tracks being held down by clever, youthful raps, balanced out by a couple smooth joints featuring resident singer Frank Ocean. Also check the 10+ minute posse cut closer "Oldie" that features the whole crew (including Earl Sweatshirt) doing what they do best. 18 tracks over two LPs with bonus CD version included. Comes in 2 different covers, shipped randomly.

• music label: Odd Future Records 2012

reviewed by suicide bangs 05/2012

Bitches ain't shit but hos and tricks, lick on the nuts and suck the dick. Ahhh, quality shit. My earliest memory of this record was when Dr. Dre was on the Arsenio Hall show (woof! woof!) and performed G Thang. It was the world's introduction to the new G-Funk sound and a young skinny, almost goofy lookin Snoop. For those who have forgotten, let me recount side A. Intro, Dre Day, Let Me Ride, The Day the Niggaz Took Over, Nuthin But A "G" Thang, Deez Nuuuts!!! Easily one of the hypest sides ever with a production sound that has yet to be matched, even by the doctor himself. Got to give a shout to my friend Shwan on this one, cause we used to roll in his gold stick shift Mercedes with the car phone with the cord, and blast this shit and pretend we were hard. Classic like fruit roll ups at lunch.

• music label: Death Row 1992

reviewed by the mgmnt 07/2008

Man, I really love this record.  We finally managed to get our mitts on some copies, now that it's on its third pressing.  The original pressing is going for over 150 Euros these days, and this edition is limited to 2000 copies, so don't expect it to be around long.  Washed Out is Ernest Greene, and this EP of hazy bedroom synth-pop is probably one of the most notable releases of the so-called Chill Wave genre.  It's sensitive white boy daydream music at its finest, perfect for lazy summer days at the beach.  If you haven't heard any of his stuff before, start with "Feel It All Around" - it's probably the best track here, built from a slowed down italo disco sample and absolutely drenched in reverb.  Other favorites include "You'll See It," (probably the only one of these that you could get away with on the dancefloor, and even then it's kind of a stretch), "New Theory," and "Hold Out."  All six of em are gorgeous though.  Comes in a hand-numbered pic sleeve (how perfect is that cover art, btw?) and plays at 45.  Cop this, take a few bong hits and then slip into some mellow 80s vibes; you won't regret it.  Recommended. 

• music label: Mexican Summer / 2010

reviewed by Hires 07/2010

LA producer/DJ Kid Gusto is tapped for the 15th volume of Brooklyn's BSTRD Boots series and he's coming strapped with that latin heat. Right out the gate he drops a killer version of Afrosound's "Tiro El Blanco," a track that's been popping up on mixes and other cumbia edit records lately, and with good reason - the track is the bomb! Kid Gusto adds some new drums to it for extra bang on the dancefloor. A similar rework treatment is given to "Angola" with fat boom baps added for more of a head nod feel. On the flip "La Zenaida" gets a subtle bump, while "Safari Salvaje" murders with powerful breaks, big horns, and tropical chants galore. Recommended.

• Music Label: BSTRD Boots 2011

reviewed by Extravagant Traveler 10/2011

It is a well known fact that nobody does it like Burial. Sure many try to emulate and imitate his style, but there is nothing like the real thing! The Kindred EP is the latest from the UK producer on Hyperdub, and once again he lives up to his reputation with three beautifully produced tracks that raise the bar for dubstep/bass music. Check the rumbing drums and goosebump-inducing atmosphere of the title track "Kindred" for a sampling of his brilliance. "Loner" comes next and continues the magic with more of a shuffling, 4x4 rhythm and hypnotic drone loops aplenty. Finally "Ashtray Wasp" closes it out on an ethereal vibe that only Burial can deliver. Three for three on this one, how does he do it? Pressed on premium 180g import vinyl, recommended.

• music label: Hyperdub 2012

reviewed by Von Bee 04/2012

Classic debut album from Klaus Dinger and Michael Rother as Neu!. Like other seminal krautrock bands (Kraftwerk, Can, Popol Vuh, etc.) Neu! are considered one of the founding fathers of the genre. Dinger and Rother actually formed Neu! after splitting up from an early incarnation of Kraftwerk in the early 70's, and created a sound that would eventually influence everyone from Bowie, Eno, Iggy Pop and Thom Yorke. The album was recorded in '71 (produced by Conny Plank) and features early motorik tracks "Hallogallo" and "Negativland," as well as more experimental/psychedelic moments on "Weissensee" and even ambient drones on "Lieber Honig." A diverse and ground breaking album that is definitely worth repeat listens.

• music label: United Artists 1971 / 2012

reviewed by TKB 04/2012

It's real tough to pigeon hole Nicolas Jaar. On the one hand, he's very capable of producing in the realms of deep house (check his Wolf+Lamb stuff or the reworks Nina Simone and New Order), and on the other, he's able to deliver leftfield electro, downtempo beats and ambient soundscapes with aplomb. Talk about a versatile producer! Anyway, Space Is The Only Noise focuses on the latter style, a 13 track excursions to the heights of introspective headphone music. The album is a perfect balance of moody ambient pieces, and extended beat-driven passages, and a bit of experimental weirdness. When you're in the mood for this kind of thing, it's one of those albums you can just throw on and play all the way through without having to skip any tracks. Allow it seep into your sub-conscious and you will recognize - it's that good! Highlights include "Colomb," "Keep Me There," "Spectres Of The Future" and "Too Many Kids Finding Rain In The Dust." Oh did I mention that this is his full length debut? Recommended.

• music label: Circus Company 2012

reviewed by TKB 04/2012

While his formative years were spent listening to everything from Yes to Photek, Scott Hansen didn't get his hands on an actual guitar or drum machine until he left his native Sacramento for San Francisco in 1995. "Encountering this whole new world at 20 years old was a profound experience," says Hansen, better known by his musical pseudonym Tycho and as the graphic artist ISO50. "At the time, I was just learning the processes of design and music; both felt very similar, and have flowed back and forth for me ever since." As seamless as his two creative outlets have been, nearly a decade passed before the release of Hansen's first proper Tycho LP, Sunrise Projector. And while three striking singles have emerged since then, the sum of all those sepia-toned parts is nowhere near the double-exposed soundscapes of Dive. The product of a prolonged break from IS050's design work and blog, it pays tribute to Tycho's prismatic past (the dense, guitar-guided turning points of "Daydream" and "Adrift") but spends most of its time pointing to the project's not-so-distant future. That can mean any number of things, really, from the halcyon hooks and hopeful horizons of "A Walk" to the expansive, wildly expressive tone poetry of the title track, an eight-minute epic that unfolds like a compressed concept album. Or at the very least, a restless vision of prog-rock - one that's been coated in neon colors and filtered through a thick piece of blotter paper. And then there's "Elegy", a spare curtain closer that pairs a vulnerable crescendo with a fitting bridge to future works. And with that, Dive establishes its position as the most diverse musical statement of Hansen's multi-medium career; the point where his skills as a performer finally catch up with his vaporized vision of a world that doesn't belong to any particular time or place.

• music label: Ghostly International 2011

reviewed by Ghostly 12/2011

Will Sessions do it up for the jazz heads. The five piece band from Detroit might best be known around these parts for their amazing live renditions of hip hop classics (see Elmatic or Mix Takes) and their smokin' funk originals (check those Funk Night 45s), but on 2010's Kindred the band showcase their talent for jazz fusion styles. With super influential jazz labels like Tribe coming from Detroit, it only makes sense they would do a tribute to the pioneers of the sound. This really sounds like a rare record from the 70's full of lush spiritual and free jazz moods, together with powerful drums at times. Check the sound on the uplifting "Redirections," "Omniverse" or the driving "Polyester People" and "Seven Miles." The title track "Kindred" even features Tribe Records veteran Wendel Harrison! Excellent stuff from start to finish. Recommended.

• music label: The Few

reviewed by Extravagant Traveler 05/2012

Duh. Add to cart immediately. Leo Zero dubbing out The Clash? Don't cry when this is gone. Kinda reminds me of our first Hollertronix record. B-side doesn't let down your musical high with a superb edit of Al Hudson Partner's "Music." Highly recommended.

reviewed by the mgmnt 10/2011