"Each time I visited Soul Supreme at home, a stone’s throw away from where I live, a framed print of MF DOOM’s mask on top of his record shelf grabbed my attention. Staring down at us with a piercing and intimidating dark look. Madvillain-style. Last time I stopped by, in early January, that art print (illustrated by Dase Boogie about seven years ago) all of a sudden evoked something else. The ‘Raid’ b/w ‘Huit Octobre 1971’ 45 record we were about to discuss was in the making since mid-October. But the news of MF DOOM’s passing at the turn of 2020, made it a bittersweet release to talk about. For Dumile, the post-Zev Love X alter ego and metal mask were ways to put people’s focus on the music, not the person behind it. To counter a trend in hip-hop of—in his words during Red Bull Music Academy 2011—'what things look like as opposed to what they sound like.' In his own way, Soul Supreme also cuts the ego when it comes to making music. 'I'm not a speak-artist, I’m a musician,' he says. 'I love how MF DOOM had attitude and character. There’s real emotion in his work, including his choice of samples. But at the same time, he puts music completely on the forefront by hiding his own identity. That’s what the mask also represents to me. It’s a note to self to only care about the music.' While talking about the ‘Nardis’ sample in the intro of Madvillain’s ‘Raid,’ a famous Bill Evans quote comes to mind for him. ‘It goes: ‘Ultimately, I came to the conclusion that all I must do is take care of the music. Even if I do it in a closet. And if I really do that, somebody's going to come and open the door of the closet and say, 'Hey, we're looking for you.'’ That’s it. That’s Soul Supreme. Always putting keys over clout, and soul over ego. With MF DOOM’s mask still staring down on him, as present as ever." - Danny Veekens

• instrumental cover versions of Cortex's 'Huit Octobre 1971' and Madvillain's 'Raid' from Dutch keyboardist / producer
• black 7" vinyl pressing
• limited edition
• music label: Soul Supreme 2021