workstation + synths + effects

OVERVIEW

The MINIAK is a powerful performance and production synthesizer with phrase and step sequencing, a built-in drum machine/rhythm sequencer, an arpeggiator, a 40-band vocoder, stereo effects, and a virtual analog synth engine developed in partnership with the world-class Alesis synth team. Amazingly compact and portable, this synth shines on stage as well as in the production studio delivering 24-bit audio resolution and MIDI I/O.

FEATURES

The MINIAK puts up to 8 multi-timbral voices at your fingertips, each with three oscillators. You can create interesting and unique sounds and take advantage of the more-than-600 preset sounds and store up to 1,000 programs in the MINIAK. The synth also has two multi-mode filters, three envelope generators, two LFOs, stereo effects, and a 40-band vocoder. On top of all of this sound-melding power, the MINIAK has a comprehensive sequencer with step and dynamic real time phrase sequencing, a drum machine/rhythm sequencer, and an arpeggiator to aid in creating the landscapes and textures you're after. Rounding out this complete instrument are high-resolution, 24-bit balanced 1/4" inputs and outputs. The MINIAK has a 37-key semi-weighted keyboard with velocity sensitivity for all-in-one performance. It can also be used as a sound source for MPCs, computer software, and keyboards via MIDI.

SEQUENCING

The MINIAK has extensive sequencing and arpeggiation performance capabilities. Arpeggios and sequences both respond to a key-press by playing a series of notes over a programmed rhythmic pattern. An arpeggio loops over whatever notes you are holding down on the keyboard. If you hold down a chord, the MINIAK will generate a melody by playing each note of your chord individually. A sequence has a melody line built in so you can hold down a single key and the MINIAK will play back that melody relative to that key. Pressing another key will transpose the sequence. The MINIAK has MPC-style step sequencing and recorder-style dynamic real time phrase sequencing. There's also a drum machine/rhythm sequencer for the built-in drum sounds.

EFFECTS

The MINIAK has a full complement of stereo effects including Chorus, Feedback, Theta Flanger (Phaser + Flanger), Thru Zero Flanger, Super Phaser, Notch Frequency, String Phaser, 40-Band Vocoder, Analysis Gain, Sibilance Boost, Band Shift, Synthesis Input, Analysis Signal In, Analysis Mix, six types of Delay, and three types of Reverbs.

OUR OPINION

The MINIAK appears to be Akai's direct answer to Korg's popular MicroKorg. Both feature virtual analog synth modeling, vocoder and arpeggiator, but the MINIAK takes it one step further with on-board MPC style phrase sequencing and drum machine rhythm sequencer. Add to this a powerful shaping capabilities, a bounty of presets, effects, and 24-bit audio resolution and you have an incredibly versatile synth for under $500. Recommended.

KEY FEATURES

• 8 voices, each with three oscillators
• Up to eight multi-timbral parts with stereo effects and 40-band vocoder
• 2 multi-mode filters, three envelope generators, two LFOs, sample and hold, tracking generator
• dynamic real-time and step sequencers, arpeggiator, and drum machine/rhythm sequencer
• stereo bus effects including reverbs and delays
• 24-bit 1/4" balanced stereo analog outputs and inputs
• 37-key synth-action keyboard with velocity sensitivity
• More than 600 preset sounds
• Sound banks: bass, lead, pad, string, brass, keys, comp, drum, SFX

COMES WITH

• VPM1 gooseneck microphone
• Power supply

LAB POINTS

• sampler, drum machine and multi-track MIDI sequencer in one instrument
• 16 levels function giving you one sound on all pads with varied level, tuning, attack, decay or filter per pad
• Step Edit mode for fast recording, viewing or editing of any event in a sequence
• recording + sampling
• audio + MIDI sequencing
• audio manipulation
• drum programming
• portable sample trigger/performance instrument

FEATURES

The MPC 1000 features a 16-bit, 44.1 kHz stereo sampler with 136 seconds of mono sampling time standard (expandable to 24m28sec). Sound wave patterns are displayed as wave forms, making it possible to edit samples both visually and aurally. Effects including pitch, LFOs, envelopes, time stretch and resample are available for use with all sounds. A new addition to the 1000 series includes two stereo effects and one master effect each of which are assignable to all sounds. These stereo effects include chorus, flanger, bit grunger, 4-band EQ (also available in master), compressor (also available in master), phase shifter, tremolo, flying pan and reverb. Another improvement over past MPC's is the inclusion of a high pass filter, and both the low and high pass filters on the 1000 are 2-pole per voice.

The sequencer section is where the MPC has really derived its great reputation. With a 100,000 note memory and a capacity of up to 99 sequences that can be recorded in either linear or pattern-style, the 1000 is an extremely powerful machine. It also features a step edit mode, a loop recording function and 16 level, full level, tap tempo, auto punch and undo sequence features, making it extremely fast and intuitive to work with.

The hardware on the MPC 1000 offers enough connections to satisfy the most demanding recording applications. 2 new hardware features on the 1000 make it more compatible with computer based studios than its predecessors. The first improvement is the Compact Flash port which takes cards that range from 32MB (included) to 2GB. The second is the inclusion of a USB port that supports storage on MAC and PC via the Mass Storage Class USB standard. Basically, M.S.C. is a file management system that allows you to drag and drop sound files from the MPC to your computer's hard drive and vice versa, via the USB port. These 2 features negate the need for those slow floppy and zip disks, a weakness of previous MPC models.

The back panel of the 1000 is equipped with stereo 1/4" INs and OUTs, four 1/4" individual OUTs, digital S/PDIF IN and OUT, two MIDI INs and OUTs, a headphone OUT and two footswitch INs. The dimensions of the unit are 13" by 8" and it weighs less than 8lbs. Its sample reading capabilities are compatible with the MPC 2000XL, MPC 4000, Z4, Z8 and the S5000/6000.

OUR OPINION

I can remember when the MPC 60 cost $3200 brand new out of the box. We've come a long way in these 15 years and as advancements in technologies are made, the consumer is the real winner in the end. The 1000 is a real deal production center, equipped with most of the features that made the MPC so legendary.

Some of the new features included with the MPC 1000 should be especially appealing to today's musician. The addition of a 2-pole high pass filter gives the user a new range of sound design possibilities previously unavailable to the MPC. On previous models, the internal effects were either limited or cost extra to buy the expansion boards. The different effects that come standard with the 1000 allow the user to more fully shape their sounds within the MPC, lessening the need for outboard gear or upgrades.

In our opinion, the greatest improvement with the 1000 is the inclusion of the Mass Storage Class USB standard and the Compact Flash port. For CPU users this will negate the need for floppy and Zip discs that can be slow and difficult to manage. The speed of being able to drag and drop sound files as well as the convenience of having all your samples at your finger tips, displayed on your computer screen, will save a lot of time and creative energy. The new methods of memory storage (Compact Flash card and USB) will ensure that the user's data doesn't get lost as formats change and that the MPC 1000 will be able to communicate with new equipment as it is released in the future.

Overall the most important element the 1000 retained from its MPC lineage is its ease of use. Its layout and sequencing section is intuitive, making it a fast learn. The trademark trigger pads and sequencing features make it a powerful, realistic drum programming tool. Portability is no longer an issue with the 1000's new compact size. Take it to djing gigs and trigger sound effects or homemade creations into the mix. For live bands the 1000 can add anything from more powerful drums to atmospheric sound scapes, all at the touch of sixteen buttons. By no means a lightweight, the 1000 will probably end up dominating the hardware based production market for years to come.

KEY FEATURES

• USB port with drag and drop copying
• 44.1 kHz, 16-bit stereo sampling with 32-voice polyphony
• 16Mb RAM standard, expandable to 128mb
• built-in Compact Flash slot (32MB-2GB cards supported)
• 2 x MIDI IN and 2 x MIDI OUT
• 32 MIDI channels
• 2.97" x 12.99" x 8.985"
• 7.6 lbs

COMES WITH

• 32MB Flash memory card

LAB POINTS

• create your own effects combinations and use up to four effects at once
• brilliant, colorful LED touchpad illuminations move in sync with your performance
• control multiple effects in realtime using the intuitive Kaoss X-Y touchpad
• choose one of five effects from each of four effect groups; a total of 1,295 combinations
• freeze button holds the effect settings after you release your finger, for hands-free use
• versatile and highly playable effects control, delivering unimaginable expression
• Looper effects, DJ emulation Vinyl Break and Ducking Compressor effects
• Auto BPM engine detection and Tap Tempo functions keep effects on beat
• any audio source can be processed - MP3 player, mixing board, instruments, vocals via the mic input, etc.

MANUFACTURER'S REVIEW

As suggested by the name "Quad", this new Kaoss Pad lets you use up to four effects simultaneously. These effects can be synced to the beat of your music, to freely transform your song in realtime. Any audio source can be processed; an MP3 player, a mixing board, an instrument, even vocals via the mic input! The expressive performance potential that arises from the Kaoss Pad Quad leaves other effect units in the dust, and rapidly approaches the realm of an "instrument". The brilliant and colorful LED touchpad illumination adds a strong sense of individuality, further enhancing the Kaoss Pad Quad's unique character.The Kaoss Pad Quad will enthrall everyone. The intense user can engage in highly technical performances; the casual user can enjoy DJ-like fun. Either way, the audience will be equally captivated. The interest and depth emanating from this new instrument is sure to touch every listener.

Dazzling, illuminated touchpad control

The intuitive interface that has helped to make the Korg Kaoss Series so popular is alive and well on the Kaoss Pad Quad. As you tap, slide, or move your finger across the X-Y touchpad, the effect parameters will change, producing dramatic realtime changes in the sound. One big change to the touchpad is brilliant LEDs that light up in an intense variety of colors. The illumination changes depending on the state of the effects, the BPM setting, and on your movements while performing. The DJ booth or stage will be brilliantly illuminated, visually boosting the excitement level!

Use up to four effects simultaneously for unimaginable expression

Kaoss Pad Quad lets you simultaneously control up to four effects from the touchpad. Each of the four effect modules - Looper; Modulation; Filter; and Delay/Reverb - contains five options (plus a null, or off position), for a total of 1,295 combinations! Best of all, effects can be chosen directly from the front panel, a more intuitive and physical process than on previous Kaoss Pad models. Enjoy trying your own Kaoss combinations and discovering ways to radically morph the sound. By rhythmically adding successive effects, or switching effects on and off as your song progresses, you can use the Kaoss Pad Quad to add variation and development to the structure of your song. In other words, even a simple beat can potentially be transformed into a killer tune that will whip the dance floor into a frenzy. In addition to being an enormous asset to the professional, the Kaoss Pad Quad is also great fun for the casual user. It is extremely straightforward and easy to use; just touch the pad to apply effects. Connect a portable audio player or any audio source, and begin enjoying hours of sound creation and manipulation.

Freeze button offers hands-free effects

For each of the four effect modules, there's a Freeze button that memorizes the position at which you're touching the touchpad, causing that effect to be held even after you release your finger. If you touch the touchpad again while Freeze is enabled, only the non-frozen effects will be controlled. You can achieve even higher levels of performance freedom by using the four Freeze buttons in conjunction with the effect type buttons. In addition to more traditional effects, the Kaoss Pad Quad offers many new types of effects:

Multi-Mode Looper

Use the touchpad to loop part of your song; the number of beats is controlled by the location you touched. Three types of looping are provided; the standard Looper; the Rev Looper (Reverse Looper) which plays the looped phrase backward; and the Loop Slicer, which divides the phrase and lets you loop-play only a specific portion. You can switch between the different looper types by sliding your finger up and down the touchpad as the loop plays, producing radical new beats on a whim. Using these sophisticated loop tools makes it easy to ignite a frenzy on the dance floor.

Vinyl Break turntable effects

The first effect lets you slide your finger up and down on the touchpad to simulate the scratch sounds that can be produced on a turntable. Next, if you leave your finger on the touchpad without moving it, you can also create the effect of gradually slowing the playback speed to a stop, just as when you stop the rotation of a turntable. This realistic sound is highly usable as part of a DJ performance, allowing even a beginner to feel like an experienced DJ.

Ducking Comp transforms the playback

Stay in Sync

The proprietary Auto BPM engine automatically detects the tempo/BPM (Beats Per Minute) of the song that's playing or the audio source. Using this function allows BPM effects such as delay to remain in sync with the song. Tap Tempo is also provided; you can press the TAP button several times at the desired tempo to set the appropriate BPM value even for a song that does not have a strong rhythmic feel or whose BPM is difficult to detect. You can also use the BPM knob to make fine adjustments.

KEY FEATURES

• Looper Module: Looper, Rev Looper, Loop Slicer, Grain Shifter, Vinyl Break
• Mod Module: Dist, Decimator, Ducking Comp, Flanger, Phaser
• Filter Module: LPF, HPF, BPF+, Jet, Pitch Shifter
• Delay/Rev Module: 1Delay, Delay, Tape Echo, Reverb, Delay Reverb
• inputs: Line inputs (RCA jacks), Mic (1/4" phone jack)
• outputs: Line outputs (RCA jacks), Headphones (1/4" stereo phone jack)
• Sampling Frequency: 48 kHz
• AD/DA: 24
• bit linear
• dimensions: 7.29" x 8.39" x 1.73"
• weight: 26.6 oz.

COMES WITH

• AC adapter
• protective sheet for touchpad

MANUFACTURER'S REVIEW

The Kaossilator is a portable synthesizer that takes Korg's legendary synths and effects and combines it with their unique KAOSS pad technology to create an innovative pocket-sized instrument for beginners and pros alike. Simply tap or slide your finger across the touch pad for instant musical phrases and jams, drums, effects and more without a keyboard! Create songs on the fly with the loop recording feature and best of all, it's super portable size and battery powered operation allows you to create music anywhere.

FEATURES

For it's ultra-compact size, the Kaossilator packs a load of amazing features for music creation. It features a total of 100 powerful sound programs that combine Korg's legendary modeling synthesizer engine with the effects from the KAOSS Pad series for a variety of sounds that can match any music genre from disco to blues. The horizontal axis of the touch pad is assigned to note/pitch, while the vertical axis is assigned to parameters such as: cutoff, feedback, or modulation depth, giving you a wide range of performance possibilities. And in addition to classic synth sounds like leads, basses and sound effects, the Kaossilator also features faithfully simulated piano, guitar, trumpet and drums.

There is also a handy scale/key feature that allows you to play complex scales and phrases perfectly everytime with the slide of a finger! Choose from 31 different scales including chromatic, diminished, as well as major and minor blues and pentatonic scales, and unusual scales such as Spanish, Ryukyu and Raga. The scale function can be used in conjunction with the key setting function, allowing you to perform in any key. 50 types of gate arpeggiation for complex rhythmic patterns are also at your disposal allowing you to produce specific patterns of notes in sync with the tempo to greatly expand your performance options.

In addition, loop recording is also possible with the Kaossilator for multiple phrase overdubbing. Create a maximum of 8 beats (2 bars) and play it back endlessly - then overdub bass, lead, drums, etc. for a unique and super fun way to create complete grooves and beats. All this in a battery operated, compact frame that you can fit in your pocket. Includes headphone out, RCA output and can run off optional power supply.

OUR OPINION

The Kaossilator provides an extremely fun, unique and easy way to create music anywhere without the use of bulky equipment. Beginners will love the ease of use (just a swipe of the finger!), while more seasoned producers will have fun playing synths and scales in a totally new way. Plus with the sound of the legendary Korg synths and the KAOSS pad, you know you are dealing with quality at a very affordable price.

KEY FEATURES

• pocket-sized synthesizer
• 100 powerful sound programs
• synths, effects, and drums
• scale/key setting
• 31 scales played in any key with the slide of a finger
• gate arpeggiator
• 50 types for complex rhythmic patterns
• loop recording for multiple phrase overdubbing
• battery operated
• RCA output
• headphone output
• optional power supply

MANUFACTURER'S REVIEW

Korg has shaken up the synthesizer market with this amazingly priced, multi-function production tool. The microKorg is both a multi-timbral virtual analog synthesizer and a 4 voice vocoder in one very affordable, portable package.

The synth portion can be used to design analog drums, deep bass, atmospheric keys, weird sound effects and everything in between. It is designed like an analog synthesizer for easy manipulation of the sound, and quick access to the controls.

The vocoder produces a vocal effect that has been used with great results by everyone from Stevie Wonder and Roger Troutman to Dr. Dre and Daft Punk. The same knobs control the vocoder, again giving you quick access and easy manipulation of the sound.

FEATURES

The Synthesizer: The microKorg comes with 128 preset sound sources that can be tweaked infinitely, by patching different effects into the mix. 2 oscillators, plus a noise generator produce the sound on the synth.

The Vocoder: The microKorg comes with a mic, but if you prefer, there are 2-1/4" inputs on the rear to plug in your own microphone or other sound source (drums, keys, etc.). The sound is then grouped with an oscillator, a noise generator and 8 channels of Vocoder to get the desired effect.

Effects: 6 types of arpeggiator are included to extend your sounds. Other effects include the standard filter cut-off and resonance controls, attack and release, and a tempo control as well as LFO's, modulation, delays, EQ and a lot more.

General: The back panel has MIDI in, out and thru, 2 lines of audio in, L/Mono, R and headphone outputs. The keyboard is made up of 37 mini-size keys, with an octave shift control.

OUR OPINION

I have heard and seen (in photos) that the microKorg is the Neptunes secret little weapon. The Vocoder section is extremely helpful in today's electronic based music mediums, especially if you're working with a bad singer. It is easy to use and even easier to manipulate a voice through. Try putting drums or a loop through it, and get something completely different. The Synthesizer section is a bit more complicated. It will take a good bit of reading and playing around to fully understand how your actions are affecting the sounds that are coming out. But the analog style controls let you tweak the sounds easily and hear an immediate difference.

Overall it may take a while to get the full grasp of how the microKorg works. However, once you have a basic understanding, it is an extremely powerful machine with infinite sound synthesis possibilities. On top of that throw in the vocoder, and this becomes one of the best values in the market.

KEY FEATURES

• 37 velocity-sensitive, mini-keys
• analog synthesizer + vocoder in one
• 128 programs, effects & appregiator
• MIDI IN/OUT
• headphone output
• includes condenser mic for vocoder
• powered by adaptor or (6) AA batteries
• 20.63"(W) x 9.13"(D) x 2.76"(H)
• 5 lbs.

OVERVIEW

Korg's microSampler delivers multi-mode sampling, resampling, Pattern Sequencing and over-the-top effects all under a fun-to-use intuitive interface. More than your typical sampler, the microSampler is a complete sound design studio for creating loops, phrases, and much more.

FEATURES

The microSAMPLER hosts a solid complement of top-end sampling features to expand your creative potential. This full-fledged instrument offers fourteen-voice polyphony, reverse playback, editing operations such as Normalize and Truncate, and a Time Stretch feature that lets you change the tempo without affecting the pitch. Selectable sample rates of 48 kHz, 24 kHz, 12 kHz, and down to 6 kHz let you sample at rates beyond CD clarity or add in that Lo-Fi vintage vibe. Each bank contains 36 samples (a maximum of approximately 160 seconds of recording time for monaural samples at a 48 kHz sampling rate) and sixteen patterns of sequence data; the microSAMPLER lets you store eight such banks in internal memory. The Keyboard mode takes a single sample and assigns it chromatically across the keys for instant playability. With its recessed controls, bright LEDs and informative display, the microSAMPLER is fun to use and easy to operate for beginners or seasoned pros.

SAMPLING

Five distinct sampling methods allow you to work the way you want, to get the results you need. The microSAMPLER offers traditional One-Shot and Loop sampling, plus a number of creative sampling modes: Loop, Key Gate and Auto-Next. When it comes to sampling, the microSAMPLER is a versatile and unique tool.

• Loop sampling for recording grooves and phrases, drum loops, etc.
• One-Shot sampling for grabbing and triggering single events such as drums, etc
• Gate sampling for playing a sound musically across the keyboard
• Auto-Next sampling for capturing phrases as multiple samples
• Key Gate sampling is best for grabbing multiple samples from the same source

There's a resampling function that lets you play existing layered samples processed by an effect and played by the pattern sequencer and capture it all as a new sample. You can even sample while playing, allowing the sampling process itself to become part of your expressive performance.

PATTERN SEQUENCER

The pattern sequencer uses an overdub operating style that lets you continually layer your performances. You can switch between patterns during playback for seamless performances. Up to sixteen patterns (16,000 notes per pattern, or a maximum 64,000 notes) can be stored in each bank.

KAOSS EFFECTS

Developed for Korg's KAOSS PAD series, the effect engine serves up a great selection of effects so important when editing samples. The twenty-one effects include not only traditional delay and chorus, but also ring modulator and grain shifter, and even a Looper that's derived from the Loop Recording feature of the KAOSSILATOR Dynamic Phrase Synthesizer. The effects can be applied to any sound while resampling, allowing the effects to be used over and over again for more sonic expression. In addition, the microSampler features USB connectivity with editing via free editor/librarian software as well as importing of WAV/AIFF data. The keyboard runs on a wall adaptor but is also portable and can be powered by 6 AAA batteries.

KEY FEATURES

• sampling keyboard with pattern sequencing and effects
• 37 Natural-Touch mini-keys, velocity sensing
• sampling rate: 48 kHz, 24 kHz, 12 kHz, 6 kHz
• bank structure: 36 sample banks (160 seconds max)
• 9 total available banks (8 user + 1 rom)
• 14 voice polyphony
• sampling modes: One-Shot; Gate; Loop; Key Gate; Auto-Next; Resample in any mode
• 2 keyboard modes
• Sampling Mode: 36 Sample Playback Keys + 1 Audio Input
• Keyboard Mode: Single sample assigned chromatically across the keyboard
• effects: 21 (Compressor, Filter, 4-Band EQ, Distortion, Reverb, Delay, L/C/R Delay, Auto-Panning, Delay, Modulation Delay, Tape Echo, Chorus, Flanger, Vibrato, Phaser, Tremolo, Ring Modulation, Grain Shifter, Pitch Shifter, Talking Modulator, Looper)
• 16 patterns per sequence bank x 8
• 1/4" input, XLR balanced w/ mic/line switch
• 1/4" output
• MIDI I/O
• USB connectivity
• custom LCD screen
• runs off 9 VDC AC Adaptor or 6 AAA batteries

OVERVIEW

The Mini-KP takes the best features of the popular Kaoss Pad and places them in an extremely portable pocket-sized body. 100 effects are available at your fingertips (realtime) including filter, delay, and looper as well as numerous BPM effects that utilize the "TAP/BPM" button to synchronize to your song's tempo. There is also an "FX release" function that offers a natural decay of the effect when changing effects and memory, and memory capabilities. All this in a battery powered unit that is an ideal choice for practice at home, in the studio, or performance in the club.

FEATURES

Just like it's big brother the KP3, the main feature of the Mini-KP is its touch-sensitive control surface. Simply touch the surface and you activate the effect; drag your finger and it changes the parameters of your effect. Move it up and down to control one parameter, left and right for another, or even diagonal to control 2 parameters simultaneously. It's so easy to use that you really don't need to know what you're doing at all, and you will be able to master some cool sounds in about 10 seconds. Everything is done in realtime too, so you will here the effect instantaneously.

The Mini-KP features a total of 100 effects, many derived from the larger KP3, including filter, delay, and a looper. But especially effective for creative mixing is the "low/high-band pass filter" that lets you cut specific frequency ranges of sound (cut the bass out or the highs), the "decimator" that intentionally degrades the audio quality of the input to give unique impact to the sound, a much-requested "delay & reverb" combination effect (for that smooth echoed out mix effect), and the "looper & pitch shifter" that captures and repeats incoming audio, retuning it in real-time as the pad is manipulated. In addition, there are some synth sounds derived from the KP3 and many more effects that can dramatically add to your sound.

Another important feature is the built-in BPM engine. You can use the "TAP/BPM button" to detect the BPM and synchronize the Mini-KP to an audio input source, and then take advantage of the many BPM effects that are synchronized to your song or performance. There's also an "FX RELEASE" function that lets the effect sound decay gradually when you remove your finger from the pad or change effects. This makes it easy for smooth and natural sounding blending of the mini-KP's effects into your performance or mix.

Lastly is the "Hold" function that lets you fix the effect settings at a given moment, and indispensable memory keys that allow you to save your favorite settings. If you're touching the pad to apply an effect, you can use the "Hold" function to "freeze" the effect settings at any desired point. The Memory Key function lets you memorize the selected effect program, the Hold function's on/off status, and the effect depth. This lets you store your favorite effect settings for instant recall anytime.

OUR OPINION

Just like it's bigger brothers, the Mini-KP is an excellent effects unit for live DJ sets with its ease of use, hands-on control and countless effects options. With it's small size and battery operation, you can feel confident bringing it anywhere - from the home studio to the club. In addition, the Mini-KP is excellent for BPMing your records, and adding effects to your mixes. For music production, the Mini-KP offers a inexpensive way to further alter your sounds with quality Korg effects. The Mini-KP is a quality effects unit that is extremely flexibile and extremely portable.

KEY FEATURES

• intuitive touch
• pad interface gives you fingertip effect control in real
• time
• smallest body in the KAOSS PAD series
• one hundred effects including filter, delay, and looper with BPM matching
• FX RELEASE function provides a natural decay when changing effects or removing your finger from the pad
• two memory keys A and B to store your favorite effect program settings
• battery operation and a carrying strap

LAB POINTS

• true analog synthesis in a compact, portable unit
• analog lead/bass synth
• 3-part analog drums, using discrete analog circuitry
• 8-step, 4-part sequencer
• advanced multi-function ribbon keyboard with Chromatic, Continuous, & Wide modes
• selectable oscillator waveform, noise generator, and versatile LFO
• uses the same VCF (filter) circuit as the classic MS-10/MS-20 synths
• add MS-20 filter to any external sound
• sync in & out jacks allows synchronized integration with multiple units
• trigger in & out to sync with other analog gear
• built-in speaker and compact size for production on the go
• battery powered operation

MANUFACTURER'S REVIEW

In a world seemingly ruled by digital, Korg created an analog sensation with the palm-sized monotron Analogue Ribbon Synthesizer. Korg has once again raised the analog banner with the amazing monotribe Analog Ribbon Station; a new form of synthesizer that packs an amazing array of features and technology into its compact body. Korg's monotribe shares the monotron's analog DNA, yet quickly delves deeper into the rich, organic, and often chaotic world of analog synthesis. In addition to analog synthesis, monotribe brings together intuitive ease of use and a three-part discrete analog rhythm section, plus the proven appeal of Electribe-style sequencing. Complete with a built-in speaker and battery power, monotribe is self-contained and highly portable.

LAB REVIEW

Korg puts the power of real analog synthesis in the palm of your hand with the Monotribe. In a time when the prices of vintage analog synths are steadily rising daily (expect to pay more than the price of your MacBook for a decent one), the Monotribe is a steal, especially when you consider it combines a true analog synth, drum machine, AND a sequencer. Add to that the authentic MS-20 filter (an original MS-20 will cost you over $1500) and you've got a real powerhouse of a unit in a compact and portable frame. RECOMMENDED.

KEY FEATURES

• sound generator: analog synthesis
• VCO: Waveshape (Saw, Triangle, Square); Octave Range (64, 32, 16, 8, 4, 2); Noise Generator (Amount); Key Range (Wide, Narrow, Key)
• VCF: 12 dB/Oct Low Pass Filter; Cutoff (Frequency); Peak (Resonance)
• VCA: Gain knob: EG Select (Decay, Gate, Attack)
• LFO: Rate (Speed); Intensity (Depth); Target Switch (VCO, VCF, VCO+VCF); Mode Switch (Fast, Slow, 1-Shot); Shape (Saw, Triangle, Square)
• drums: 3 parts, discrete analog
• Sequencer: 8 steps
• Audio In: 3.5mm / 1/8" stereo mini-phone jack
• Output: 6.3mm / 1/4" stereo phone jack (unbalanced)
• Headphones: 3.5mm / 1/8" stereo mini-phone jack
• Sync In Jack: 3.5mm / 1/8" stereo mini-phone jack
• Maximum input level: 20V
• Sync Out Jack: 3.5mm / 1/8" stereo mini-phone jack
• Output level: 5V
• Power Supply: AA/LR6 alkaline battery (x6) or AA nickel-metal hydride battery (x6) or Optional AC adapter (DC: 9V)
• Battery Life: approximately 14 hours (when using alkaline batteries)
• Dimensions (W x D x H): 8.15" x 5.71" x 2.76"
• Weight: 1.62 lbs. (without batteries)

INCLUDES

• 6x AA alkaline batteries

LAB POINTS

• full-fledged, true analog synthesizer w/ VCO, VCF, LFO
• features the same classic analog filter found in the legendary Korg MS-10 & MS-20
• filter any external source using the audio input jack
• easy-to-play ribbon keyboard
• fun-to-tweak controls
• LFO can modulate either pitch of filter cutoff
• LFO Rate knob features LED visual indicator
• battery operation, pocket sized
• internal speaker/headphone jack lets you enjoy the sound anywhere
• fun-to-tweak controls

MANUFACTURER'S REVIEW

Analog synths were once massive, temperamental monsters; but no more! The true analog monotron fits in your pocket and is ready to play anytime, anyplace. Although small enough to hold in one hand, the amazing monotron delivers ginormous and dazzling sounds. Best of all, it's a blast to play. The controls have been streamlined for ease of use. Concentrating on the most important sound parameters, the panel contains only five knobs and one switch. With this level of simplicity, now anyone can easily enjoy the world of analog synthesizers.

Ribbon controller keyboard offers easy expression

Borrowing the enjoyment of performing with a simple touch from Korg's wildly popular KAOSS products, the monotron's ribbon controller keyboard takes this ease of use even farther. Simple finger gestures can produce expressive effects such as vibrato and glide.

1VCO, 1VCF, 1LFO - Modular synthesis building blocks

The monotron's circuit is radically simple: one voltage-controlled oscillator, one voltage-controlled filter, and one low frequency oscillator. As a result, the process of sound creation is intuitive, and instantly understandable. And it's tons of fun. The monotron provides the joy of sonic creativity that's at the heart of analog synthesis.

The famous Korg filter

The monotron starts with the same highly acclaimed VCF circuit as KORG's classic MS-10 and original MS-20 semi modular synthesizers, and adds extra oomph to the resonance. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak (resonance) knob adds emphasis.

Semi modular satisfaction

Just as on the original MS-20, the monotron's filter can be "patched into," allowing any external audio source to be processed by the monotron's filter. The input jack (AUX input) built into the monotron's compact body inserts the AUX input into the signal path right before the VCF. This provides a great way to connect a KAOSSILATOR, a keyboard, a guitar, a digital audio player or even an un-mixed track to the monotron and enjoy tone-bending filter effects.

Versatile LFO provides audio and visual excitement

The LFO (Low Frequency Oscillator) can affect either the oscillator pitch or the filter cutoff. Both the speed and the intensity are individually adjustable, so you can create anything from a gentle vibrato to swooping tone changes of galactic proportions. As you turn the LFO Rate knob, featuring an embedded LED, the speed of the modulation effect and the speed of the blinking LED will change in tandem.

Listen anywhere - alone or with friends

The ultimate in compactness, the monotron includes a built-in miniature speaker. Along with the battery operation, this feature allows you to enjoy the monotron everywhere. There's also a headphone output that you can use when creating sounds at home, for recording, or for connecting to an amplifier or PA system.

KEY FEATURES

• Audio Path: VCO, VCF, LFO
• Knobs: VCO Pitch; LFO Rate; LFO Intensity; VCF Cutoff; VCF Peak
• LFO Switch: Assignable to Oscillator Pitch or Filter Cutoff
• Controller: Ribbon Controller
• Volume: Headphone Volume
• Aux Input: 1/8" Stereo Jack
• Headphone Output: 1/8" Stereo Jack
• Speaker: Miniature internal; Disabled when headphones are in use
• Power Supply: AAA Alkalines (x2)
• Dimensions: (W x D x H)  4.72" x 2.83" x 1.10"
• Weight: 3.35 oz. (without batteries)

LAB POINTS

• true analog synthesis
• Space Delay with Rate and Intensity controls offers analog-style echoes
• New Pitch LFO with selectable Waveshape and Intensity and shape controls
• VCF with Cutoff Control

• Wide-range ribbon controller keyboard
• Original Analog (VCF) Filter taken from the classic MS-10 & MS-20
• input jack lets you apply filter to any audio source
• battery operation, pocket sized
• internal speaker/headphone jack lets you enjoy the sound anywhere
• fun-to-tweak controls

MANUFACTURER'S REVIEW

The groundbreaking original monotron, with its sought-after MS20 filter and huge sound in a pocket-sized format, brought true analog goodness to the masses. Now, the monotron family has expanded to include the Monotron DELAY to add even more options to your analog arsenal. A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The monotron DELAY is an analog synthesizer optimized for sound effects and inherits the functions of the original monotron while adding these unique features:

Classic Analog Synth / Space Delay Combination

In addition to its analog oscillator, filter, and LFO, it also provides a Space Delay that's indispensable for swooping, cosmic sounds. The monotron DELAY even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. As with the filter, the delay effect can be added to any external sound via the Aux In jack. This fat and warm delay will add an authentic edge to your analog sounds!

Dual-Waveform LFO

The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes – a new square wave plus the traditional triangle wave. Both the Rate (Speed) and the Intensity (Depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

Wide-Range Ribbon Keyboard

The monotron DELAY's ribbon controller keyboard features a wide, four-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the monotron DELAY a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron DELAY ideal for delivering a striking visual impact in nearly any club environment.

KEY FEATURES

• Synthesizer structure: 1 VCO (Sawtooth Wave); 1 VCF; 1 LFO; DELAY
• Knobs: LFO Rate, LFO Int., VCF Cutoff, DELAY Time, DELAY Feedback, Rear Panel Trimpot: LFO Shape
• Switches: Standby / LFO / Shape
• Controller: Wide Range Ribbon Controller
• Volume: Headphone Volume
• Aux Input: 1/8" Stereo Jack
• Headphone Output: 1/8" Stereo Jack
• Speaker: Miniature internal; Disabled when headphones are in use
• Power Supply: AAA Alkalines (x2)
• Dimensions: (W x D x H)  4.72" x 2.83" x 1.10"
• Weight: 3.35 oz. (without batteries)

03.28

LAB POINTS

• full-fledged, true analog synthesizer w/ VCO, VCF, LFO, & X-MOD
• 2 analog oscillators (VCO) with individual tunings
• original analog (VCF) Filter taken from the classic MS-10 & MS-20
• edgy X-MOD (with Intensity knob) circuit from Korg’s classic Mono/Poly
• VCF with Cutoff and Peak Control
• easy-to-play ribbon keyboard with scale select
• input jack lets you apply filter to any audio source
• battery operation, pocket sized
• internal speaker/headphone jack lets you enjoy the sound anywhere
• fun-to-tweak controls

MANUFACTURER'S REVIEW

The groundbreaking original monotron, with its sought-after MS20 filter and huge sound in a pocket-sized format, brought true analog goodness to the masses. Now, the monotron family has expanded to include the Monotron DUO to add even more options to your analog arsenal. The monotron DUO inherits the functions of the original monotron and adds these unique features:

Dual Oscillator / X-Mod Design

Offering two oscillators, the monotron DUO adds an extra dimension, delivering an even more extreme sound. Tune the oscillators in unison for a rich, thick, analog tone. Tune them in intervals for classic soloing sounds and generating new effects. The X-MOD (cross modulation) circuit taken from Korg's classic Mono/Poly can introduce a mild or razor-sharp edge to the overall sound; everything from a rich vibrato to extreme metallic sounds reminiscent of an FM synth.

Enhanced Ribbon Controller Keyboard

The monotron DUO's ribbon controller keyboard now features the familiar Scale function used on the KAOSSILATOR. You can use this button to select one of four scales: Chromatic, Major, Minor, or Off. Choose the Chromatic scale to play precise pitches as on a piano, or choose Major or Minor to generate musically coherent phrases by simply sliding your finger around on the keyboard.

KEY FEATURES

• Synthesizer structure: 2 VCOs (Square Wave) with X-Mod; 1 VCF
• Knobs: VCO1 Pitch, X-MOD Int., VCO2 Pitch, VCF Cutoff, VCF Peak
• Switches: Standby / VCO1 / VCO1+2 / Scale Select Button
• Controller: Ribbon Controller with Scale Select
• Volume: Headphone Volume
• Aux Input: 1/8" Stereo Jack
• Headphone Output: 1/8" Stereo Jack
• Speaker: Miniature internal; Disabled when headphones are in use
• Power Supply: AAA Alkalines (x2)
• Dimensions: (W x D x H)  4.72" x 2.83" x 1.10"
• Weight: 3.35 oz. (without batteries)

One of a kind filter unit from Rodec and Sherman, two of Belgium's premier high end analog manufacturers. The Restyler redefines the dynamic, punch, groove and sound of your music, instrument or musical production. It is an effective tool for deejays, musicians, producers, remixers & knob tweakers worldwide.