vinylcd -dubstep / uk funky / bass-date

Watch out fi dis! Major Lazer is back to free the universe! For their sophomore full length, Diplo comes through as solo executive producer to drop heaters all over the place to shake up the sound system. The Major Lazer sound is constantly evolving, but here it's still rooted in heavy dancehall, fused with electro, trap, bounce, and all manner of EDM to mash up the place something proper. We've been jamming the deep vibes of "Get Free" with Amber from Dirty Projectors for a minute now, but check the heavy bumps of "Watch Out For This" with Busy Signal, "Keep Cool" with Shaggy, "Bubble Butt" with Bruno Mars & Tyga, "Jet Blue Jet" with Leftside, GTA, Razz & Biggy, and the jungle influenced "Jah No Partial" with Flux & Pavillion for a taste. You can trust this bangs from beginning to end with other guest spots from Laidback Luke, Ezra Koenig of Vampire Weekend, Elephant Man, The Partysquad and more. Pressed on limited edition red and yellow vinyl in gatefold sleeve with fold out mini poster and download card. Recommended.

• music label: Secretly Canadian / Mad Decent 2013

reviewed by Von Bee 05/2013

Restraint. That's what I think makes this album so great. On the hit singles, "Wildest Moment" and "Running", you expect Jesse Ware (yeah, the same vocalist on SBTRKT's album) to have a Dawson's Creek moment where she's yelping and flexing her white chops in the last quarter of the song. That moment never comes and I'm thankful. Stays in the cut (ed.note: after repeated listens, there is indeed some DC moments). I recently absorbed the entire album on a road trip and by the end, I had a Soul II Soul taste in my mouth… not so much "Back II Life" but more "Keep On Movin" with its wandering, breaky sound. Masterful modern production by Dave Okumu, Julio Bashmore, and Kid Harpoon (a distant cousin to  Malay's work on Channel Orange). PS, Jessie, lose the heavy make-up, you look much hotter au naturale. Recommended.

• music label: Cherrytree / Interscope 2013

reviewed by the mgmnt 05/2013

Record Store Day 2013 Exclusive! Brass Sabbath finds the infamous Gaslamp Killer teaming up with the afro-funk band Jungle By Night for a pair of raw and heavy rock-inspired cuts recorded at Redbull Studio Amsterdam. Check the rawness on their cover of Black Sabbath's "Electric Funeral" and the equally killer "High Times." Comes in pic sleeve with gold foil print. Previously only available for 4/20 RSD in Europe. Limited edition.

• music label: Kindred Spirits 2013

reviewed by Von Bee 05/2013

Next level electro-jazz fusion from Four Tet and Rocketnumbernine. Four Tet (aka Kieran Hebden) recently went in the studio with London's Rocketnumbernine (aka Tom and Ben Page) and Floating Points (on mix and recording) for a completely live improv session resulting in this fine 12" we have here. The two tracks contained within these grooves ("Roseland" and "Metropolis") are a heady blend of cosmic vibes and dubby jazz with lush textures and live percussion, all done in one take with no edits. Impressive work to say the least! Here's hoping for more from these guys. Comes in cardboard sleeve on Hebden's own TEXT imprint.

• music label: TEXT 2013

reviewed by TKB 04/2013

The much anticipated sophomore effort from James Blake is here! Overgrown comes just two years since Blake's breakout debut, and finds the young UK producer delving fully into his sound. The whole album is a intense and introspective experience - even with a guest a verse from the RZA (on "Take A Fall For Me"), there is nothing for the dancefloor here. Instead, your ears are treated to lush, melancholic textures, haunting melodies, and slow burning rhythms that transport you to a very personal space, a beautiful sonic reality. As much as I'll miss Blake's early instrumental dubstep experiments, the awesomeness of his current musical direction cannot be denied - and as a singer/song writer, the music contained here is proof that he is on a whole other level. 10 tracks total on 180g vinyl, housed in beautiful gatefold sleeve. Recommended.

• music label: Republic Records 2013

reviewed by TKB 04/2013

Modeselektor's 50 Weapons imprint drops its 22nd limited edition single, and Addison Groove's first new output since Transistor Rhythm. For fans of the "Footcrab" sound, this EP continues AG's fine footwork with the Busta-enhanced "I Go Boom" and the manic "Button Moon." "Oversize Clip" pays homage to UK ragga breakbeat, cleaned up for our minimalist ears. "Melody Maker" is my pick of the set as AG goes straight juke with warm melodies and female vocals floated on top. All four tracks here are exclusive to this EP.

• music label: 50 Weapons 2013

reviewed by the mgmnt 04/2013

Limited edition pressing for Record Store Day 2013! King Midas Sound's latest stands at the intersection of shoegaze and dubstep, drone and dancehall. A sense of disembodied melancholy pervades both "Aroo" and "Funny Love." This is some dark stuff for the disenchanted and disemboweled. The tracks unfold like tone poems amid a sea of fuzz. An industrial edge is palpable, but is it really present? I'll leave that for you to decide. This is truly original material.

• 750 copies only in the US
• music label: Ninja Tune 2013

reviewed by Michu Meszaros 05/2013

In-demand white label spawns the offical pic-sleeve single from the joint collaboration of Werk Discs and Ninja Tune. Love this new approach from Actress: it's super-textural, chill out music that brings Aphex Twin to mind. The 11 minute plus "Voodoo Posse Chronic Illusion" initially starts jaggedly, but Actress is able to transform the zigs and pops into a hypnotic calm. "Floating In Ecstasy" pops off immediately, sounding like a build-up to a medieval battle. Does anything else sound like this? The final cut, "Dream Come True", is my favorite here: super-sluggish like wearing a extra-heavy mink coat. Look out for the Ghettoville album coming later this year. Recommended.

• music label: Werk Discs / Ninja Tune 2013

reviewed by the mgmnt 03/2013

Night Slugs sister imprint Fade To Mind drops its second release from Brooklyn-based Kingdom (who has also appeared on Fool's Gold). On the VIP Edition, Kingdom drops some of his most potent hip-hop club tools. It leads with "Fukin Jaker" a wicked stomper that samples vintage Three Six Mafia. Usher's 2008 "Appetite" gets edited into a cerebral hip-hop track that easily trumps the og. Lastly, Night Slugs' favorite Ciara gets a proper bass-ed treatment of "Goodies." Also includes the instrumental version of the Ciara track.

• music label: Fade To Mind 2013

reviewed by the mgmnt 03/2013

Double twelve inch mini-album from downtempo meets dubstep outfit: Clouds. The Helsinki duo has been on a brief hiatus after dropping releases on an impressive collection of forward-thinking labels including Deep Medi Musik, Jahtari, Ramp Recordings, and 2nd Drop. Their sound re-emerges a lot more Boards Of Canada-ish, leaning more heavily on the downtempo and ambient side, but with the drum programming complexities of their dubstep roots. But don't get too comfortable, "You Go To My Head" finds that dowtempo sweet spot and then abruptly institutes a drop (let the headphone madness begin!). 6 tracks in all, no filler, recommended.

• music label: Ramp Recordings 2013

reviewed by the mgmnt 03/2013

Limited edition pressing for Record Store Day 2013! Jamie xx comes through with two tight remixes of his bands original material. First up is his remix of "Sunset" off of Coexist, nice and deep. We also get his take on the bonus track, "Reconsider." Definitely worth copping.

• Jamie xx remixes "Sunset" a popular track from Coexist by The xx . Also included on this 12" is a Jamie xx remix of a bonus track "Reconsider".
• die-cut sleeve
• 4000 copies only
• music label: Young Turks 2013

reviewed by Michu Meszaros 04/2013

Such an undeniable single, listening to "Swimming Pools" for the first time gave me flashbacks to my first encounter with Aquemini. Kendrick Lamar's voice sits back behind the music bubbling its way up the cracks. This unofficial remix single features the original version plus reinterpretations by Bird Peterson (bassy club), Tony Tone & Truthlive (808 club), DJ Jam & Dave Moss (hip-hop), and Davey B (dj edit). Trap definitely heads need to check out the Mighty Mi & Slugworth version.

• music label: white label 2013

reviewed by the mgmnt 03/2013

Sophomore full length from LA producer/beatsmith and former TTL LA head Jason Chung aka Nosaj Thing. It's been a minute since his full length debut on Alpha Pup (2009's Drift), but Nosaj is finally back with an album full of atmosphere and emotion. Home finds Nosaj Thing evolving and exploring the subtleties in his sound. With carefully programmed nuances in the drums, to obscured samples and glitches, and lush synths, Chung crafts a much more personal and introspective world for your ears. Compared to the heavy glitch-beats that dominated Drift, Home is more mature and refined definitely deserving of repeat listens. Check tracks like the opener and title track "Home," "Glue," "Safe," and "Phase III" for a sample. There are also two vocal collaborations on the album, one with Kazu Makino ("Eclipse/Blue"), the other with Toro Y Moi ("Try") - both of which are obvious standouts. 11 tracks in all, recommended.

• music label: Innovative Leisure 2013

reviewed by TKB 02/2013

Vinyl only Moombahton selections from Sabo's Sol Selectas.Sol Selectas has been at the forefront of the electronic Latin explosion for years now and with Moombahton driving the kids wild, Sabo and crew have cranked out major tunes for you. Just as volume one went, these are vinyl only and each track offers their own vibe. Sabo & Arizona's Melo offer up a solid up beat party rocker with vicious horn stabs in 'Go San Dos'. Sazon Booya takes it up many LVLZ and brings it back to the early days of Munchi (the best period, ahem) in 'Ode To Hector'. Speaking of Munchi, both he and Kingman Fire offer up what I would call Moombahtools meaning they keep the energy going, but aren't complete face melters.. Which they all shouldn't be. Recommended

• music label: Sol Selectas 2013

reviewed by boohoo banton 1/2013

The latest release from the Modern Love camp comes from Type Records chief John Twells and Walker Chambliss. Chambliss manages and DJs for internet cloud rap sensations Main Attrakionz. Their production as Jack Dice straddles the weird and the wild out. Opening track 'Mister Frosty' brings out the elbows for throwing and 'Sangre Grande' makes you want to send the beat to Keak Da Sneak on some Bay Area slap ish. Think of the new style Trap beats oozing into the ether of 2 Dope Boyz. Clams Casino meets Lex Luger. Type Records meets Swisha House. 1st pressing limited to 700 copies. Another rad addition to the Modern Love roster.

• music label: Modern Love 2012

reviewed by jonathan breakfast 1/2013

Diverse range of next level beats from Loops Haunt on the UK-based Black Acre imprint. Zenith finds Loops Haunt breaking beats down to molecules, then reconstructing them from the ground up, splicing in various strains of IDM, downtempo, and jungle (yes, jungle!). Tracks like "Mun Rhul" hark back to the Ninja Tune/Mo'Wax era, while the IDM/jungle fusion of "Zenith" and "dltfaypily" sound like something from the glory days of Rephlex. In contrast, "Fathom" and "Heal" take us to the future by melding the worlds of raw drums and heavily processed samples and effects. Also includes the scenic ambient excursion "Hike." Very interesting stuff, well worth investigating.

• music label: Black Acre 2012

reviewed by TKB 01/2013

Andy Stott's critically acclaimed We Stay Together EP, now on champagne vinyl! We Stay Together continues the journey into sounds of subterranean techno, unreal ambience, and disjointed beats started with Passed Me By. No one is taking this sound as far as Stott at the moment (or ever?), so be sure to get on board now before it's sold out for good. Includes the incredibly tough beats of "Posers," "Bad Wires," the supremely dark "We Stay Together (Part One)," "Cherry Eye" and more. Pic sleeve, recommended.

• music label: Modern Love 2011

reviewed by TKB 01/2013

Now repressed on clear emerald vinyl. Andy Stott's universally praised Passed Me By was originally released back in 2011 and pretty much single-handedly raised the bar on the dub techno / slow house front (people are still trying to catch up). His slow and meticulously produced tracks take you to another world, one that is far from removed from the typical bump of the dancefloor, but a rather disjointed reality of seemingly unrelated sounds that somehow meld into a cohesive whole. Like me, you might not "get it" right off the bat, but you are well rewarded once you let go and allow the sounds to take over. 7 tracks in all, housed in incredible pic sleeve. Highly recommended.

• music label: Modern Love 2011

reviewed by TKB 01/2013

Andy Stott's latest for label Modern Love continues in the dark, Dub Techno format we have come to know from his previous two efforts. The difference with his newest offering is the featured vocal performance from his childhood piano teacher. The unusual request seemed to be a perfect match, with her breathy, angelic vocals adding another layer that contrasts the heavy oceanic bass with a lighter mood. The album is not chipper in any sense, but it is his most accessible album to date. Luxury Problems is the perfect soundtrack for the oncoming Winter months. Beautiful, yet menacingly harsh at the same time. Recommended.

Lukid makes the move to Ninja Tune with his latest full length Lonely At The Top. The UK producer has been around for a minute (since 2007 to be exact), constantly evolving with an impressive range of styles on a couple well received EPs and an LP for Werk Discs, plus some 12"s for GLUM. On their own, the past releases may seem disparate at times, but Lonely At The Top brings it all together from a producer that has grown into his own skin. It is boundary-less electronic music that offers no explanations, just rich and intricate soundscapes to get lost in. From Ninja Tune "On Lonely At The Top we hear Lukid pooling together elements from his varied back-catalogue to create something that manages to sound like nothing he’s done before. We get glimpses of the raw anger displayed on his GLUM releases, of the ecstatic and psychedelic pop he makes with Simon Lord as Arclight, of his recent brooding score for the documentary Personal Best, and of his sunnier early releases on Werk, but it’s all assembled with a new voice and a new intent. Whatever has happened in Lukid’s life over the last few years, with the carefully constructed narrative arc of Lonely At The Top he gives the impression of a story of catharsis and redemption." 12 tracks in all, housed in gatefold sleeve with free MP3 download. Fans of Actress and Lone should be all over this.

• music label: Ninja Tune 2012

reviewed by Von Bee 11/2012

Limited edition compilation for the James Blake completist. Hard To Find collects b-sides, extra cuts, and out of print singles on two convenient LPs. By now you should already know about Mr. Blake and his impact on the post-dubstep world (and pop music for that matter), but if you've been living under a rock for the past couple years, check out "Klavierwerke," "Wilhelm Scream," "Lindisfarne," or the Feist cover "Limit To Your Love" for a taste. 12 tracks on heavyweight import vinyl, edition of 500.

• music label: Universal 2012

reviewed by TKB 10/2012

More heavyweight dubstep action from Tempa. This is the third double 12" in the Tempa Allstars series and once again they ain't playin'. Featuring four tracks from some of the biggest names in the scene, Tempa Allstars volume 3 is set to destroy the dancefloor something proper. Check D1's remix of Skream's "Warning," Headhunter's "Sleepwalker," N-Type's "Tolerance," or the sub-low bass shaker "Rubber Chicken" from Caspa for proof. Serious bass bizness!

• music label: Tempa 2006

reviewed by Von Bee

Cosmin TRG gives Tempa a totally updated sound on the "Now You Know" Double 12" pack. For those of you expecting the usual half-step dubstep release from the label, think again cause tings are moving forward! TRG brings the sound of UK Funky in a huge way, with big room party rockers like "Twilight Riddim," and the Berlin style "Purple Lights." Check out the broken beat bump of "Siberian Poker" with those rave-tastic synths and the deep house shuffle of "Discotek" that could crossover into a lot of different sets. Also includes the chillout breaks vibe of "Since Last Night" and the dubbed out stepper "Strobe Lick." Run this...

• music label: Tempa 2010

reviewed by Von Bee

After laying low for a minute, Nosaj Thing is back with new material on LA's Innovative Leisure imprint. "Eclipse / Blue" showcases a fresh direction in sound for Nosaj and the first single from his forthcoming album <i>Home</i>. The track itself is a powerful and moody uptempo fusion of forward bass, house and techno, with delicate acoustic elements as well as haunting vocals courtesy of Kazu Mikumo of Blonde Redhead fame. Pressed up on extra thick, one-sided 10" with minimalist artwork. Not sure if it's a limited deal, but this looks to be the kind of thing that will sell out quick. Recommended.

• music label: Innovative Leisure 2012

reviewed by TKB 10/2012

Debut 12" from newcomer Decibel on Tectonic. Seems like there's been some major trend shifts in the dubstep/bass scene and Decibel's self-titled EP reflects the best of them. Gone are the overpowering wobble bass drops in favor of shiny 16-bit synth melodies ("Miss") and smoked-out 808's seem and screwed up rap vox seem to be the order of the day on "G.A.S." Really not mad at it. Also features the shuffling garage riddims of "M.S.T." and the grimy dancehall-juke fusion of "Gyal," easily the most aggressive of the bunch.

• music label: Tectonic 2012

reviewed by Von Bee 09/2012

Kaya Kaya, an offshoot of XL Recordings, dropped a mysterious white label last spring (2011) with hand-stamps that read Stubborn Heart. Since then, this faceless duo (Luca Santucci & Ben Fitzgerald) has been garnering underground hype from Gilles Peterson to Benji B. "Need Someone" which appears on both the white label and here conjures memories of Jamie XX, early Hot Chip, and James Blake. We're also introduced to two entirely new tracks, both pretty huge in scope. Could be one of those things that blows up or nestles further into the underground.

• music label: Kaya Kaya 2012

reviewed by the mgmnt 09/2012

Nguzunguzu's debut EP on Innovative Leisure went with the quickness when it was released back in 2010. So fast the we were not even able to pick it up! Well our prayers have been answered and the ish has been repressed. The duo of Asma Maroof and Daniel Pineda pack a tropical bass heatwave on two side of black plastic. The music seems rooted in house, but is splattered with sped up cumbia rhythms, digital accordions and all manner of dark, bassy elements. They sample liberally, nothing is sacred, and their reference points are all over the map. You might suspect that there's a certain and tongue in cheek-ness to it all, especially with the Art Of Noise referencing "Moments In Sex" (side note: get your ears on their Moments In Mixtape if you can). Bottom line is Nguzunguzu know what's up and so should you. Cop this before it's gone again. Recommended.

• Music Label: Innovative Leisure Records 2010

reviewed by Michu Meszaros 09/2012

Prepare to have your mind officially blown. The much anticipated full length debut from the muthaf'n Gaslamp Killer has landed and it totally exceeds all expectations. Over the years, GLK has grown quite a cult following as a respected DJ and producer. From co-founding the legendary Low End Theory night (where he is still a resident DJ) to touring the globe, his high-energy sets have become the stuff of legend. Now on Breakthrough, Gaslamp Killer takes his heavy, psych-influenced sound to the next level with a fully realized album of devastating beats and bugged-out psychedelia on Flylo's Brainfeeder imprint. Expect an intense trip through dark and ominous sonic territory with some of the heaviest live drum and production work from GLK himself, as well as guest appearances from kindred spirits Gonjasufi, Adrian Younge, Dimlite, Daedelus, Samiyam, Computer Jay, and more. The whole album should be digested in its entirety for the full effect, but check out "Holy Mt. Washington," "Dead Vets," "Flange Face," "Apparitions," "7 Years Of Bad Luck" and "Keep It Simple Stupid" for a taste of the madness. Comes on thick 180g vinyl with free download card or on CD with artwork from Kilian Eng. Highly Recommended!

• music label: Brainfeeder 2012

reviewed by Fadermod 09/2012

The highly-anticipated new album from LA-based producer Flying Lotus is here! Since emerging on the scene with 1983 in 2006, then breaking ground on Warp Records with Los Angeles in 2008, Steven Ellison (aka Flying Lotus) has become a beacon for the new school beats movement. His influential Brainfeeder label is constantly pushing boundaries with eclectic, forward-thinking releases that shape and mold the scene, while his own work continues to evolve and grow exponentially. Now with Until The Quiet Comes, his fourth full length album, Flying Lotus delivers his most realized and coherent piece to date. Whereas Cosmogramma took us to the farthest reaches of the galaxy and beyond, Until The Quiet Comes brings us back to earth with a very personal and introspective sound rooted in cosmic jazz as much as it is in beats. From the opening notes of "All In," you can already tell you are in for something special. Lush arrangements and free flowing melodies seem to come natural for Flylo with nothing ever seeming rushed or forced ("Until The Colours Come, "Only If You Wanna"). Then come the heavy bump of the beats that work as a perfect counter balance to the mystic jazz vibes ("Until The Quiet Comes," "Getting There," "The Nightcaller," "Tiny Tortures"). Of course Flying Lotus also gets a little help from his friends to fully realize this cosmic vision. Check the A-list guest appearances from Erykah Badu on "See Thru To U," Thom Yorke on "Electric Candyman," as well as Thundercat on "DMT Song," and Laura Darlington on "Phantasm." 18 tracks in all housed in brilliant cover art with free download card included. Highly Recommended.

• music label: Warp 2012

reviewed by TKB 10/2012

The highly-anticipated new album from LA-based producer Flying Lotus is here! Since emerging on the scene with 1983 in 2006, then breaking ground on Warp Records with Los Angeles in 2008, Steven Ellison (aka Flying Lotus) has become a beacon for the new school beats movement. His influential Brainfeeder label is constantly pushing boundaries with eclectic, forward-thinking releases that shape and mold the scene, while his own work continues to evolve and grow exponentially. Now with Until The Quiet Comes, his fourth full length album, Flying Lotus delivers his most realized and coherent piece to date. Whereas Cosmogramma took us to the farthest reaches of the galaxy and beyond, Until The Quiet Comes brings us back to earth with a very personal and introspective sound rooted in cosmic jazz as much as it is in beats. From the opening notes of "All In," you can already tell you are in for something special. Lush arrangements and free flowing melodies seem to come natural for Flylo with nothing ever seeming rushed or forced ("Until The Colours Come, "Only If You Wanna"). Then come the heavy bump of the beats that work as a perfect counter balance to the mystic vibes ("Until The Quiet Comes," "Getting There," "The Nightcaller," "Tiny Tortures"). Of course Flying Lotus also gets a little help from his friends to fully realize this cosmic vision. Check the A-list guest appearances from Erykah Badu on "See Thru To U," Thom Yorke on "Electric Candyman," as well as Thundercat on "DMT Song," and Laura Darlington on "Phantasm." 18 tracks in all with free download card included. This is the limited Collector's Edition version pressed on double 180g vinyl, with full color inner sleeves and info sheet housed in hardcover gatefold style sleeve with tipped-on cover image. Highly Recommended.

• music label: Warp 2012

reviewed by TKB 10/2012

This isn't just another dubstep remix/mash-up release. Cypress Hill actually got in the studio and worked on brand new cuts with UK dubstep don Rusko! Obviously the result is uber heavy and destined to crush it, what with Rusko providing the massive bass drops and Cypress Hill adding that veteran LA rap swag. It's a match made in bass bro heaven! Five tracks in all with guest appearances from Damien Marley and Young De. Comes in full pic sleeve with free mp3 download. Heavy, heavy, heavy.

• music label: Cooperative Music 2012

reviewed by Von Bee 08/2012

Ed Banger's best kept secret returns for his second full length on the French label! The Noise In The Sky finds Krazy Baldhead exploring 70's influences - from jazz, funk, fusion, and prog - all infused with his signature electronic touch. If that sounds a little difficult to wrap your head around, try thinking of this as the bridge between Herbie Hancock and Amon Tobin, or between Weather Report and Skream. It's intelligent music that doesn't lose that contemporary head nod. Check the sounds on "Subaraya Girl," "The Noise In The Sky," "Day In Day Out," "Miles High," and "Slow Motion" for highlights. If you slept on KB in the past (which was easy to do since he didn't have the hype machine backing him up as much as the other Ed Rec artists), it's definitely worth checking what "the most accomplished musician" in the Ed Banger camp has to offer this time around. 12 tracks from the dude who rocked electro festivals at night, while bumping 70's jazz during the day. Import vinyl with CD version included.

• music label: Ed Banger 2012

reviewed by TKB 08/2012

Whether he knew it or not (he probably didn't), Lil Jon was always generally associated with Diplo's Hollertronix parties, not only because the music he was producing was ubiquitous at parties during that time, but also because Lil Jon's balls-to-the-wall Crunk movement seemed to match up perfectly with the whole Hollertronix aesthetic. Years later, the two have finally spent some time together in the studio and the resulting product is "U Don't Like Me," which takes classic southern fight-rap and mixes it with some gnarly dubstep sounds. The two styles go together so well it's hard to believe we haven't heard more of this before. Dancehall collective South Rakkas Crew give the track a rock-n-roll makeover that brings to mind Trick Daddy's "Let's Go," which was, of course, produced by Lil Jon. You also get the instrumental and acapella here, making it four tracks in all. Pic disc with artwork by Mike Jones. Recommended.

• music label: Mad Decent 2010

reviewed by Von Bee

Four Tet drops the sixteenth release on his highly in-demand imprint Text (seriously, every release has been truly limited and they always sell out). On "128 Harps", Four Tet demonstrate his dubstep fist, blending extra-mean beats and his signature electronic warmth. Four Tet fans hit add to cart now. B-side remix by reconstructs the track as grungy house track. Recommended.

• music label: TEXT 2012

reviewed by the mgmnt 07/2012

Let's forgo all the philosophizing and speculating, and instead just say that Kala is another monster album from M.I.A. Sorry, haters - with Switch, Diplo, Blaqstarr and Timbaland behind the boards, there was basically no way Ms. Arul was gonna catch a sophomore slump. London's Switch (aka Dave Taylor) is just about the biggest dance producer / remixer and one half of Major Lazer, so his style mixed with M.I.A.'s jumble of influences makes for some seriously unique "pop" music. Totally wasn't expecting the Bolly-disco sound on "Jimmy," or the flat-out weirdness of "Bird Flu" and lead single "Boyz." (M.I.A. also seems to have picked up a fondness for regurgitating lyrics, spitting up some gems from the Modern Lovers and Pixies on various tracks.) Switch's production makes up the bulk of the album, but some real gems come when Maya branches out. "Mango Pickle Down River" is virtually just a remix of Aboroginal kiddie rappers Wilcannia Mob's "Down River," but with a song that fucking awesome to start, it doesn't matter much. Blaqstarr brings his trademark minimal spookiness to "The Turn," and the M.I.A. / Switch / Diplo power trio really tears it up on the Bmore-ish "XR2." Timbaland left his collab with M.I.A., "Come Around," off his solo album - dunno why, it's pretty hot and his album was shit anyway. This one is not. 12 tracks; 47 minutes. Recommended

• music label: XL Recordings 2007

reviewed by Chris Lemon-Red

Debut single for Airhead on the esteemed R&S label. The London-based producer's beats have been drawing comparisons to early James Blake and with one listen to "Wait" it is easy to see why. The subtle textures, abstract programming, and oddly chopped-but-still-catchy vocals seem to be a winning formula that only a select few producers can pull off with class and style. Airhead is definitely one of them. Also includes "South Congress" on the flip for more lush and delicate post-dubstep flavor.

• music label: R&S 2012

reviewed by Von Bee 05/2012

After changing the game with "Footcrab" back in 2010, Addison Groove returns with the much anticipated full length of forward bass/footwork fusions. Transistor Rhythm finds Addison Groove (aka Antony Williams) unlocking even more combinations of bass and rhythm to make the speakers pop and floor go off. The influence of Chicago Footwork and Ghetto Tek cannot be denied, but it is the way he skillfully deconstructs these styles and infuses them to the UK bass aesthetic that makes the tracks so potent (in turn influencing the whole bass scene including Pearson Sound and Sepalcure to name a few). Check the dutty dancefloor beats of "Bad Things" with Spank Rock adding that extra layer of grime, or "Beeps" that hits hard on some futuristic Banji boy ish. More heavy hitters include the rolling 808 and 606 on "Rudeboy" and "Night To Remember" for the footwork addicts, or the nasty bass slaps on "Ass Jazz" for the late night freaks. 8 tracks in all on heavy import vinyl.

• music label: Fifty Weapons 2012

reviewed by Von Bee 04/2012

We've been finding some true gems hidden in the nooks of our office like these deadstock Hollertronix mixes from back in the day. This promo-only T5S release was one of only a few official mixes by the highly influential DJ duo of Diplo & Low B. Digi-pack packaging designed by GHava and legit glass cds (no-CDR). Limited stock, recommended.

• music label: Triple Five Soul 2004

reviewed by the mgmnt

BOOM! Another massive drop from the gang at Tectonic. Anyone who's followed the dubstep scene at all over the past 5 or so years should be familiar with these Tectonic Plates compilations, and if you ain't knowin', it's about time to get familiar! Tectonic releases have a knack for dropping the bass in the heaviest of ways, and with these comps, they gather up the hidden heaters from lesser known artists, and put it right next to bangers from some of the top dogs in the scene. Case in point with Volume 3 that keeps to the times and stacks forward bass and funky bangers from big names like Addison Groove, Roska, 2562, Pinch, and Ginz, with heavy dubstep cuts from Tunnidge, Goth Trad, Kevin McPhee, and many more. I'll let the samples speak for themselves, but basically, this thing is just HEAVY. If you love the bass, get this comp! The whole album is pressed on thick import vinyl, and spread across 4LPs for maximum bass pressure. Side A and C play at 45, the rest is at 33. Recommended.

• music label: Tectonic 2012

reviewed by Von Bee 04/2012

Much anticipated debut release from north London Funky production duo, Ill Blu. These guys have remixed everyone from Hot Chip to Cheryl Cole and Shystie, and have been getting spins from key players like Kode9 and Supa D, so it's about time they give us some original productions! Well here it is, and they certainly deliver with "Bellion," a track representing the UK Funky style at it's simplest and most effective with an infectious bell melody and layers of tension-building percussion. On "Dragon's Pop," they hit us off with a wall of relentless congas, snares, deep bass and percussion that is sure to intensify the floor.

• Music Label: Hyperdub 2010

reviewed by snackmaster 09/2011

Night Slugs co-founder and Mad Decent representer L-Vis 1990 lends his touch to Mr Mageeka's "Different Lekstrix. The original track is a minimalist UK Funky jacker with hypnotic synths and abstract bass bloops to move the crowd, but L-Vis turns up the intensity adding some heavy wonk to tear down the walls. Another winner from Numbers! Plays at 45.

• music label: Numbers 2010

reviewed by: Von Bee 09/2010

Horsepower Productions dig in the vaults and unearth some UK garage heat for The Lost Tapes EP on Tempa. If you've been following the UK scene you might associate Horsepower Productions with heavy dubstep, but before that they were known to effectively rock the tech-y UK garage flavor. This EP takes it back to their 2-step roots with heavy rolling bass over swingin' garage beats that sound as fresh as anything made today. Check the sound on "Boogaloo," the steppy "Landslide Remix," "What We Do" and "Midnight Tease." HP prove that sometimes you need to look back to push forward...

• music label: Tempa 2011

reviewed by: Von Bee 11/2011

Instrumental versions of Joker's acclaimed debut full length! Joker has been killing the dubstep game for a few years now with his signature "purple" sound, a style that has leant itself to numerous anthemic 12"s and a gang imitators. Through the years the sound has slowly evolved and become more focused to the point that it seems anything Joker touches nowadays becomes massive. The Vision showcases the power of the purp sound with proven anthems like "Tron" and "My Trance Girl," and also finds Joker infusing it with potent cross-over potential. Check "Slaughterhouse," the title track, and "On My Mind" for a taste. Also worthy of mention is the introspective "Milky Way" and the Ginz collab "The Magic Causeway." Recommended.

• music label: 4AD 2012

reviewed by: Snackmaster 01/2012

First ever "best of" comp from Mad Decent! The label has come a long way from the underground Philly scene where it started to becoming the global taste makers they are today and The Best of Mad Decent Vol. 1 chronicles the rise to infamy, plus throws in some new material as well. Lab heads should all be familiar, but for those that have been living under a rock for the past few years, this comp will clue you in on what's going on with Diplo's notorious label. The wide range of styles Mad Decent has been known to bring to the surface is all here - from dubstep, rock, tropical bass, bmore, dancehall, cumbia and more - and it bangs! Check the massive new remixes of label classics like Bosco Delrey's "Wild One (Reset! Remix)," Maluca's "El Tigeraso (Sticky K Remix)," unreleased gems like Boy 8-Bit's "House On A Hill," and Dillon Francis' "Beautician 2.0," in your face bangers like Rusko's "Everyday (Netsky Remix)," plus cumbia dancehall hybirds from the head honco himself (Diplo's "Horsey"). 18 tracks hand selected by Diplo from the Mad Decent catalog. Recommended.

• music label: Mad Decent

reviewed by Von Bee 10/2011

Diplo and Switch's new dancehall project has been getting lots of hype over the last few months, and it turns out that this time the hype was right: this shit has more jams than Knotts Berry Farms. The CD opens with the surf-rock single "Hold The Line," which features Santigold and Mr. Lex, and doesn't really let up after that. In addition to top notch production, the album also features a ton of dancehall stars and a few state-side up and comers who should be pretty familiar to the discerning lab customer at this point. Turbulence shows up for "Anything Goes," Mr. Vegas makes an appearance on "Can't Stop Now," while Mr. Evil (aka Leftside) and Swedish rapper Mapei both jump on an updated version of "Mary Jane." Brooklyn's own auto-crooner Ricky Blaze and the perennially slept-on Nina Sky lend their vocals to the Power 106 Anthem "Keep It Goin' Louder," (this one's got "crossover" written all over it) and Vybz Kartel squeezes a few lines into the pandemonium-inducing "Pon Di Floor." Solid tracks from beginning to end, this album is gonna be a force to be reckoned this summer. Recommended. BONUS: Included with with this LP is a coupon for a free high-quality MP3 download of the full album.

• music label: Downtown / 2009

reviewed by Hires 07/2009

SBTRKT, the mysterious (masked) purveyor of cutting-edge dance sounds, drops his self-titled debut album on Young Turks. The London-based producer's signature sound - swinging, future-garage-infused bass music - has been showcased through a handful of EPs, singles, and collaborations, but regarding the full-length, he says: "This release is the culmination of a longer period of constant writing and collaboration, tracks on previous EPs were written as singular pieces. This record is much more of a whole project, more representative of my thoughts and ideas as an artist and each track was completed with the aim to be coherent together." Check how well the achy vocals mash with the tone of the instrumental on "Hold On." The subtle and sophisticated rhythms and melodies of "Right Thing To Do" as well as the dramatic synths and tribal percussion of "Never Never" are also memorable, but really, there is not a filler in this 12-tracker, so do yourself a favor and grab the album. Highly recommended.

• music label: Young Turks

reviewed by nakinboots 07/2011

The most anticipated volume of the Radiohead remixes, the seventh single in the series features two of the biggest names (currently) in Labhead land. SBTRKT steals the show here with a future beats version of "Lotus Flower." Love those tricked out drums! Jamie XX goes for the higher state of consciousness with an understated, ethereal mix of "Bloom" that omits kicks and snares. Anstam's version of "Separator" rounds out the set with shuffling drums and a movement towards darkness. Limited as usual, don't sleep. Recommended.

• music label: Ticker Tape

reviewed by the mgmnt 09/2011

Unexpected release from prolific producer/singer James Blake. In the grand scheme of things, it would seem this release is out of order with the seemingly natural progression of Blake's style. No singing, vocal tweaking or anything else you'd expect to come following his acclaimed debut full length. Instead, Blake has taken it back to his instrumental dubstep roots with two surprisingly minimal and stripped down tracks "Order" and "Pan." Total zone out material.

• music label: Hemlock

reviewed by snackmaster 08/2011