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vinylcd -cosmic / nu disco / italo / balearic-date

# 1
    • "edits of classic house + balearic gems"
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Moton coming through with that edit heat! For those unfamiliar, Moton emerged as a premier edit label sometime in the early 2000's (way before the current edit craze). The track selection on these joints is always superior than most, often cherry picking from a wide and eclectic range of deep cuts that work both on and off the dancefloor. This one by Diesel and Jarvis is no different, featuring a tasteful and super effective re-edit of a Lil Louis & The World house classic that's sure to rock any discerning dancefloor. Worth it for this one alone, but the flipside offers the perfect balance with the chilled balearic disco vibes of "Dog." Chalk up another winner from Moton! Originally released for RSD 2013, recommended.

  • music label: Moton Records Inc. Classics 2013
reviewed by TKB 05/2013
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# 2
    • "new disco summer anthem"
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Summer anthem 2013? In what looks to be the summer of new disco summer jams, LA duo Classixx have multiple anthem-potential songs from their new full length. "Holding On" was the first to drop and had the early lead before getting elbowed by those French guys (but that's some good company, no?). Impressive remix pack included with reworks by Lifelike, Jerome LOL, and Losoul.

  • music label: Innovative Leisure 2013
reviewed by the mgmnt 05/2013
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# 3
    • "deluxe collection of the work of a pioneering electronic musician"
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Massive repress! Originally released in on CD 2007, Oramics collected the compositions of former co-founder and director of the BBC Radiophonic Workshop, Daphne Oram, particularly that of her post BBC experimental work. Designed in 1957, Oramics (along with being the name Oram used to refer to her studio and business interests generally) is a drawn sound technique that involves drawing on 35mm film strips to control the sound produced. Oram further developed the process in 1962 after receiving a grant from the Gulbenkian Foundation. She would draw shapes on the film that would create a mask, which modulated the light received by photocells. Along with developing the instrument and becoming the first woman ever to design and build an electronic musical instrument, Oram produced a large and intriguing body of work. Of course there is her early material for the BBC, but there is much more to it than that. Oramics brings together 44 compositions from the pioneering electronic musician. It is material that is as varied as it is groundbreaking. The pieces range from classic playful interludes and commercial recordings to beautiful, immersive pieces. They all tend to feature her penchant for introspective and multi-layered material that proved that there could be depth in a field that many had yet to master. You can still hear Daphne Oram's influence in music that is being made today. Limited edition clear vinyl 4LP pressing housed in a deluxe gatefold sleeve full of archival photographs.

  • music label: Young Americans 2013
reviewed by Michu Meszaros 05/2013
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# 4
    • "essential compilation of the avant-disco mastermind's classics"
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The long-awaited compilation of tracks from left-field disco genius Arthur Russell has finally arrived from Soul Jazz, and despite a few minor reservations that only a confirmed disco nerd like myself could have, it's well worth the wait. Russell was a classically-trained cellist and composer steeped in the American experimental avant-garde tradition of composers like Philip Glass. He made some of the most compelling, challenging, and beautiful dance music ever committed to record after being turned on by visits to NYC clubs like the Loft, Gallery, and Paradise Garage. "Go Bang," recorded as Dinosaur L is present here in the superior Francois mix, is perhaps one of the most simultaneously atonal, dissonant, and funky records to ever become a dancefloor favorite– a maelstrom of near-free jazz dirty Rhodes chords and a driving four to the floor beat propelling ominous, desperate declarations that "I want to see all my friends at once/I wanna go bang!" It was a big Paradise Garage favorite, and its dark, druggy and sexy vibe was hugely influential to early house tracks like Sleazy D's "I've Lost Control." Russell's most well known track, Loose Joints' "Is It All Over My Face," shouldn't require too much of an introduction here, and if it does, just read my dissertation in the 12" review (I expect your 5-page paper with annotated sources next week, Spasticon). One of the greatest dance records ever, period. What distinguishes Russell as an artist (and further endears him to collectors) is the fact that he was also capable of creating softly beautiful tracks like "Keepin' Up," "In The Light Of The Miracle," and "Let's Go Swimming;" tracks that successfully integrated his interest in dance music with experimental, often minimalist compositions. "In The Light Of The Miracle" is one of the prizes of this collection; originally available on a stupid-rare promo-only pressing, "Miracle" is a serenely gorgeous, airily restrained 13-minute epic that defies categorization or description. Also includes essential, tough–to-find gems like "Pop Your Funk" (see 12" review), and "Wax The Van." The few minor complaints I have (the omission of Russell's first release, "Kiss Me Again" by Dinosaur, lack of material from the rare "World Of Echo" LP, weird track sequencing) are completely mollified by the dearth of brilliant material here, and the sheer value that the collection gives. Highly, highly recommended. 11 tracks spread over 3 LPs.

  • music label: Soul Jazz Records 2009
reviewed by the mgmnt 05/2005
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# 5
    • "dirty distorted house and techno"
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This is not quite what you would expect from Matthewdavid's Leaving Records and Stones Throw. The former traffics in abstract beats that follow in the wake of Flying Lotus, while the latter has its roots in hip hop but has dabbled in a little bit of everything as of late - save for the house and techno of The Cyclist, however. Bones In Motion may not be the most obvious jumping off point for a collaboration between the two labels, but the tell tale signs are there. The Irish producer uses a combination of elements that will not be unfamiliar; drum machines, samples, synths and a healthy dose of warm distortion. There are minimal exercises in simplicity coupled with dirt covered excursions to the dancefloor. While The Cyclist's contemporaries might aim for pristine productions, it appears he enjoys his sound running in the red through a vintage cassette deck. This will be welcome news to fans of both labels, as it seems The Cyclist embraces the experimentalism with a nod to the past that both thoroughly endorse.

  • music label: Leaving Records 2013
reviewed by The Voice 05/2013
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# 6
    • "breakout record from Baltimore based dream poppers"
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2008 found Baltimore based dream pop duo, Beach House, dropping their sophomore effort, Devotion. They took the opportunity to refine their sound and came through with bolder and brighter songs. The sense of eminent decay is still present, however they seem to have ditched the lo-fi aesthetic of their eponymous debut. Overall it's a consistently stronger effort than the previous release. They maintain their preference for skeletal percussion which helps to underscore their penchant for dense melodies. The vocals remain haunting as ever, with vocalist Victoria Legrand inviting us into the murky depths of her romantic consciousness. Gatefold double vinyl.

    music label: Carpark Records 2008
reviewed by Señor Sueño Latino
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# 7
    • "lo-fi dream pop"
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Oh, the hazy shades of autumn tinged music. Beach House traffic in the tradition of the boy-girl duo making love-sick, narcotic rock and roll. Their particular sound is filtered through an orange lens as the seasons transition from warm to cold. The duo of singer/organist Victoria Legrand and guitarist Alex Scally will gently draw you into their world and then disappear like ghosts. Though they may bring to mind the Shoegazers as they moved away from the noise and distortion, their's is an altogether more intimate affair. It's dream pop from the foot of the bed, with a warmth that has not been felt in quite sometime. Do yourself a favor and get familiar with the sounds of Beach House. You will be more than happy that you did.

  • music label: HeartBreakBeat Records 2010
reviewed by Señor Sueño Latino 04/2013
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# 8
    • "groundbreaking synthesizer music repressed"
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Laurie Spiegel's ground breaking debut album finally reissued! Originally released back in 1980 on the tiny Philo label, The Expanding Universe remains a sought-after and pioneering work in computer-based music. On first listen, the minimalist experimental / ambient vibes will remind you of work from Terry Riley, Steve Reich, Phillip Glass, or even Brian Eno - but the method in which this work was created is what makes it truly special. Laurie realized and composed these pieces completely from electronic sounds on the GROOVE system at Bell Laboratories between the years of 1974 and 1977, interacting with computer-based logic to create each piece (a feat far ahead of its time). The resulting music is rich and engrossing, full of slow churning sounds and evolving textures that totally suck you in to a world outside our own. The short sound samples really don't do justice, but check "Patchwork," "Old Wave," "Pentachrome," and the title track for a taste. Anyone who uses computer-based logic to create music (Ableton Live, Max/MSP,etc), definitely needs to hear this incredible work. Comes with free download card with expanded bonus tracks recorded from the same period, nearly all previously unreleased. Recommended.

  • music label: Unseen Worlds 2013
reviewed by TKB 04/2013
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# 9
    • "secret cosmic house heater reissued"
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In demand secret weapon of the disco Illuminati! Garalude's "Cero" previously dropped on a limited Japan only release back in 2004 and has been in the hands of only a select few since then. Internasjonal does us all a favor with this massive reissue. "Cero" is a percussive house jam that slowly piles on layers of keyboards and accordion lines until it all builds into a crescendo of sound. It's one of those tracks that is sure to please anyone who's been feeling the recent Four Tet or Daphne sound. Plenty of poly-rhythmic action to keep things moving. On the flip DJ Harvey's sought after remix turns up the Afro-house and adds plenty of Fela inspired horn lines. You can't go wrong with either side of this 12". Recommended.

  • music label: Internasjonal 2013
reviewed by Michu Meszaros 04/2013
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# 10
    • "improvised electronic jazz fusion"
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Next level electro-jazz fusion from Four Tet and Rocketnumbernine. Four Tet (aka Kieran Hebden) recently went in the studio with London's Rocketnumbernine (aka Tom and Ben Page) and Floating Points (on mix and recording) for a completely live improv session resulting in this fine 12" we have here. The two tracks contained within these grooves ("Roseland" and "Metropolis") are a heady blend of cosmic vibes and dubby jazz with lush textures and live percussion, all done in one take with no edits. Impressive work to say the least! Here's hoping for more from these guys. Comes in cardboard sleeve on Hebden's own TEXT imprint.

  • music label: TEXT 2013
reviewed by TKB 04/2013
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# 11
    • "dirty disco grooves"
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The kings of disco sleaze are back! Last we heard from In Flagranti, the boys seemed to be moving towards more of a cosmic tech-house style, but on Best Of Dissimilated By-Products they've returned to their dirty disco roots. This 10 track album is actually a collection of tracks In Flagranti produced back at the end of 2011 as exclusive digital releases which did well at the time, but the resounding response to was - "is this going to be on vinyl?" Just a little over a year later, here it is! Expect these grooves to be jam packed with macho bass lines, funky guitar licks, and stomping drums to work the floor into a sweat and grow some hair on your chest. Comes in sexy pic sleeve as per usual with In Flagranti releases.

  • music label: Codek 2013
reviewed by TKB 04/2013
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# 12
    • "limited edition repress includes fan art booklet for RSD 2013"
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Record Store Day 2013 Exclusive! Special RSD edition of Olafur Arnalds For Now I Am Winter complete with limited fan art booklet and limited to only 1000 copies. For those unfamiliar with the young Icelandic pianist's work - think lush, cinematic soundscapes, perfect for a sojourn through the forest or that long, introspective drive home. This is a sound that would go well with a listening session of Sigur Ros (whom he actually toured with in the past). It is careful music that takes its time to progress and is moody, dramatic, and beautiful all at the same time. 12 tracks total on Deutsche Grammaphone.

  • includes limited edition fan art booklet
  • limited 1000 copies only
reviewed by TKB 04/2013
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# 13
    • "limited edition blue vinyl pressing for RSD 2013"
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Limited edition blue vinyl pressing for Record Store Day 2013! Goat's World Music was one of 2012's standout records with its unique combination of disparate sounds and influences. The drum heavy "Run To Your Mama" gets the remix treatment on this second of two installments. The remixes featured here bring out the darker side of Goat. If you're looking for something to play out then head straight to the Cage & Aviary version. Otherwise, throw on the visual effects and prepare to trip the eff out. The various mixes bring out different elements of the track, showing you that there is more than one side to Goat.

  • Exclusive remixes of Goat's "Run to Your Mama"
  • Limited edition blue vinyl
  • 2000 copies only
  • music label: Rocket Recordings 2013
reviewed by Michu Meszaros 05/2013
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# 14
    • "limited edition blue vinyl pressing for RSD 2013"
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Limited edition blue vinyl pressing for Record Store Day 2013! Goat's World Music was one of 2012's standout records with its unique combination of disparate sounds and influences. The drum heavy "Run To Your Mama" gets the remix treatment on this first of two installments. The sound here is dub heavy, none of the typical "dance" remix business. Spacey effects, dubbed out vocals and plenty of reverb. The various mixes bring out different elements of the track, showing you that there is more than one side to Goat.

  • Exclusive remixes of Goat's "Run to Your Mama"
  • Limited edition blue vinyl
  • 2000 copies only
  • music label: Rocket Recordings 2013
reviewed by Michu Meszaros 05/2013
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# 15
    • "rare cosmic library music reissued for RSD"
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Rare italian library music reissued just for Record Store Day 2013! Strut hooks up the deep diggers and collectors with the 1979 concept gem Desert by composer/arrangers Antonio Vuolo and Elio Grande. The original is impossible to find, released on tiny Italian label Cardium, and demands a pretty penny when it does surface. Here you get the full album, mastered from the OG reels with full repro artwork from the original lithographs. Fans of spacey electronic fusion and cosmic sounds (a la Tangerine Dream) should be all over this. Limited stock, only 500 copies in the US!

  • music label: Strut 2013
reviewed by TKB 05/2013
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# 16
    • "smooth and sexy Balearic cuts"
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The fantastic "Balearic Sound of..." series of 12” compilations from Sunkissed Records is back! Linda Di Franco, one of the undisputed queens of the laidback Mediterranean scene in the early 80s, is featured this time around. The hard to find Sensurround Mix of her Balearic classic, "TV Scene," is a perfect introduction to Linda's cool sexy sound and makes it easy to understand why the original 12" is so in demand. It oozes sultry summery sensuality, topped with some seriously soulful sax. Her gloriously dreamy take on Dusty Springfield's "Look Of Love" follows. On the flip we get the extended 12" mix of "My Boss," highly sought after since being one of the standouts on DJ Harvey's cult Sarcastic mix. And lastly, under-rated album track "Stay," a balmy funk groover given extra sizzle from Ms Di Franco's trademark X-rated breathy vocal performance. A wonderful collection of Balearic moments not to be missed.

  • music label: Sunkissed Records 2012
reviewed by Joey Coco 03/2013
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# 17
    • "modern ambient + drone compiled"
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It's time once again to let go and decompress with Kompakt's annual ambient compilation. The long running Pop Ambient series never fails to rejuvenate worn and tired ears with a choice selection of contemporary drone, ambient, and experimental soundscapes of the beat-less variety. The 2013 edition features pieces from Michael Mayer, Mikkel Metail, Wolfgang Voigt, Leandro Fresco, Triola, and many others you probably haven't heard of. Mellow astral travel vibes for days, perfect for that introspective zone-out session. Keep it mellow. Comes in pic sleeve with included CD version. 10 tracks in all.

  • music label: Kompakt 2013
reviewed by TKB 02/2013
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# 18
    • "limited edition sampler from ny label"
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The three artists featured on the L.I.E.S. American Noise Sampler reveal the diversity of Ron Morelli's New York based label. The A side is given over to Torn Hawk who's "This Is Crime & Lace" blurs the boundaries between avant garde musique concrete, experimental electronica and post-punk industrial soundscapes while still featuring traces of Chicago house. Early label contributor Marcos Cabral drops a slow and sinister slice of techno with a rubber-band bassline that will work its way through your skull. Closing out the release is relative new comer Delroy Edwards who hit hard with his label debut, 4 Club Use Only. "Feelings" is a fittingly distorted blown out take on house that was recently featured on Ben UFO's Fabric mix CD.

  • music label: Long Island Electrical Systems 2012
reviewed by Joey Coco 01/2013
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# 19
    • "important ambient collabs on 12" "
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Back to back Eno gems on 12" from Slow To Speak. Compilers Francis Engelhardt and Paul Nickerson give shine to two important Brian Eno collaborations here, one with Jon Hassell , the other with David Bowie. Hassell released Fourth World Music on Eno's EG imprint back in the early 80's and "Ba Benzele" is the essence of their ethno-ambient fusion. "Subterraneans" off David Bowie's Low takes the B-side, a powerful and emotionally charged ambient soundscape that is both haunting and beautiful. Essential listening for those that enjoy being trasported to other worlds via sound. High quality pressing housed in silk screened sleeve, recommended.

  • music label: Slow To Speak 2012
reviewed by TKB
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# 20

Scottish band with links to The Beta Band bring the sing-a-long cheer to your turntable. Taken from a collection of remixes released late 2012, Django Django drop an exclusive 10" edit with Priests of Sound remix by Steve Mason of the late, great Beta Band. Comes in clear sleeve to showcase the vibrant 10" pic disc pressing.

  • music label: Because Music 2012
reviewed by Gene Jacket 1/2013
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# 21
    • "big balearic remix, laser-etched vinyl"
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Big balearic vibes from DJ Harvey on single sided, laser-etched vinyl! Harvey has a cult following for a reason - his DJ sets are the stuff of legend (if you've been to Sarcastic Disco you know what I'm talking about), and his edit and remix work is impeccable. Here he takes Dr. Beat from San Sebastian's classic early 2000's balearic tune "Mediterraneo" and gives it a 2013 revamp, totally pumping up the drums and adding propulsive synth stabs to keep it moving. He manages to do all this while keeping the signature Spanish guitar work in the mix, keeping that breezy balearic feeling intact. Perfect for beachside parties, rooftops, and sunrise/sunset jams. Limited import pressing.

  • music label: Eskimo 2012
reviewed by TKB 01/2013
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# 22
    • "2008 debut album repressed"
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Welcome repress of Nite Jewel's full length debut. Nite Jewel has certainly come a long way since 2008's Good Evening, from collaborating with West Coast funk master Dam-Funk to putting out material on Mexican Summer and Italians Do It Better. With her recent material being much more developed and produced, it's cool to see where it all started. Our original review from 2008: Loving the sweet, lo-fi sounds of Nite Jewel. After her release on Italians Do It Better, I was wondering where I was gonna find more from the LA singer/producer/composer. Luckily we got in this LP on Gloriette which seems like a small-press kinda deal that would be pretty hard-to-find. "Good Evening" is part shoe gaze, part new disco, part old school r&b, and part freestyle(?) all composed on a portable 8-track cassette deck with layered tape edits (hence that authentic low tech sound). It's a beautiful thing in these days of over-done tracks. Check the joints that made it to 12" on IDIB ("What Did He Say" and "Let's Go") or go for the deep RnB funk of "Weak For Me," the slow jammy goodness of "Artificial Intelligence," or space-out to the sound of "Suburbia" or "Universal Mind." 10 tracks total now with free MP3 download. Recommended.

  • music label: Gloriette 2012
reviewed by TKB 12/2012
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# 23
    • "modern afro-kraut fusion"
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Full length debut for Sinkane on DFA!. Though you might not have heard of Ahmed Gallab (aka Sinkane) before, you might've heard him on some records you own. The Brooklyn-based producer/multi-instrumentalist has served as a session musician for bands like Yeasayer, Caribou, Of Montreal, Born Ruffians, and others, and here on Mars, his solo work really takes flight. Impressively, Sinkane plays most of the instruments on the album himself - save for a few guest spots (including a wicked guitar solo from Twin Shadow's George Lewis Jr.) which makes the sound truly his own. It's hard to really pinpoint, but I would describe the sound as a chilled combination of afrobeat, krautrock, jazz fusion, all topped off with a dash of tropical disco. Check "Makin Time," "Jeeper Creeper," and "Runnin" for starters, then dig into deeper cuts like "Caparundi," "Mars," and "Warm Spell." Really refreshing stuff! Comes in matte pic sleeve.

  • music label: DFA 2012
reviewed by TKB 12/2012
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# 24
    • "druggy outsider house"
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Roche continues to deliver his distinct brand of house and techno with this release on 100% Silk. His four track EP for the LA based label, A Night At The Haç, may or may not be a tribute to the legendary Manchester club. Either way it still channels the spirit of that era. The title track channels piano house through a distorted lens, blending off kilter keys with banging rhythms. Acid House is Roche's next touchstone with "Outsider Insider" while "CG Vision" is from another world entirely. His agility with synths is showcased on the closer, "Psycho Zombie Dreams." Half science fiction soundtrack, half pounding techno, with a dark vision all its own.

  • music label: 100% Silk 2012
reviewed by Joey Coco 01/2013
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# 25
    • "ethereal vocal house"
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100% Silk has been releasing its unorthodox strain of dance music for a good minute now. "Just Wanna Feel" sees Mi Ami drummer Magic Touch (aka Damon Palermo) team up with lo-fi pop artist Sapphire Slows (Tokyo’s Hiramatsu Kinuko) for a floaty, disco tinged house adventure. Palermo has his way with Slows' vocals, blending them in with the title track quite nicely, and getting an assist from L.I.E.S.'s Bookworms. I:Cube's remix takes things down a darker path. On the flip is a track that sounds like it would fit in with music from the baggy era of the Hacienda. Marshall Jefferson-esque pianos lead the way while Kinuko gets extra hooky on the chorus. The Magic Touch dub is decidedly more Italo, minimizing the pianos in favor of a driving arpeggio.

  • music label: 100% Silk 2012
reviewed by Joey Coco 01/2013
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# 26
    • "live renditions cosmic norwegian disco"
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Since the beginning Prins Thomas has always handled his own instrumentation. The idea was always there to bring in other musicians but it never panned out. And you know, when you play music with people it's always better when their your friends or friends of friends. A bunch of musicians jamming and having fun as if nothing else matters but the moment. Well, finally Mr. Thomas was able to pull it off and Prins Thomas Orkester was born. It's your loving cosmic disco prince and his wild band of cohorts making some fantastically interesting treats for your ears! The tracks on the "øving" EP are all reworks of Prins' back catalog tracks, recorded almost live in a maximum of two takes. Pretty impressive for a jam based project. The Orkester tackles "Slangemusikk," "Uggebugg" and "Sauerkraut" from his debut album, and transforms them into "Snake Music," "Hamar Bluesklubb" and "Surkål." And the last track, "Arild Moen," is a new version of the 12" track "Morfar." To top off this orgy of Norwegian disco heads, it's all mixed and massaged by none other than Todd "Terje" Olsen and mastered to perfection by Chris Sansom at Propeller Studios. Just what you and the lady need for these cold winter nights.

  • music label: Full Pupp 2012
reviewed by Señor Sueño Latino 12/2012
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# 27
    • "abstract techno + house from the bay"
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San Francisco based Roche has a penchant for classic house as viewed through his own abstract perspective. With Auragan, his debut on Jamal Moss' Mathematics imprint, he turns in three tracks that are bathed in a subtle purple haze. The opener, "San Quimico," seems to be generating the most heat. Its a combination of percolating synthesizers, vocal chops and half time percussion that slowly evolves into a cosmic house burner. On the flip we are treated to two tracks that seem to wholeheartedly embody the Mathematics spirit. "Lftl Eternal" offers up a circular percussion loop that is buoyed by an arpeggiated bass line and solid drum machine work. The EP closes with the title track's warm organ chords which set the stage for an uplifting sunrise excursion. Recommended.

  • music label: Mathematics 2012
reviewed by Joey Coco 11/2012
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# 28
    • "sunny psychedelic/cosmic rock, minus the drugs"
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Critical praise is rightfully due when you are as young as Tame Impala frontman Kevin Parker making the incredibly dense, beautiful psychedelic freak outs we have come to love. This 2010 release hit heavy with the critics, but the mass appeal wasn't quite there yet. We thought we would bring it back to the lab to show you the greatness that is Tame Impala. Just as the cosmic journey that 2012's Lonerism took us on, consider this the surf mission that leads to the enlightened world we will eventually fully embrace. With David Fridmann of Flaming Lips fame helping on the final album mix, Parker achieved the explosive sound he was looking for. The sun drenched guitar licks and over driven drum breaks add a sense of nostalgia similar to Caribou's Up in Flames, anything Beatles, & the UK's A Band Of Bees. This is modern Psychedelia at it's finest with just enough a nod to the past and a straight look into the future.

  • music label: modular records
reviewed by: taco vato 11/2012
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# 29
    • "cosmic disco house"
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Cosmic disco heat from the Visitors on Citizen Kane's Disques Sinthomme imprint. In its original form, "Night Fever" is on par with classics from Space with its chugging bass, tight drums, and cosmic vibe that is set to take the dancefloor on a trip. For remix duties, they've enlisted the mighty Idjut Boys who emphasize the spaced-out vibe of the original with all manner of disco dub magic. Check Version Idjut for a taste, then go for the Idjut Dub Flang for the full dose. Heavy!

  • music label: Disques Sinthomme 2012
reviewed by TKB 11/2012
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# 30
    • "slow burning cosmic disco"
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San Francisco's Shock has been one of those bands that I've been meaning to catch live for awhile. If "Heaven" is a sign of things to come, I shouldn't have to wait much longer. The trio of Terri Loewenthal, Michael Taras and Dan Judd, bka Sorcerer and half of Windsurf, turn out a slow burning brand of cosmic disco. It's a sweltering affair that just might get you laid. At the same time "Heaven" is a subtly catchy track. For the single, Voltaire Records enlists the production skills of Beat Broker, Hatchback, and Steve Moore (Lovelock/Zombi). Hatchback's Kind Bud Assist is the most workable of the three, but the others are not to be missed. Recommended.

  • music label: Voltaire Records 2012
reviewed by Michu Meszaros 11/2012
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# 31
    • "warm balearic grooves, cosmic remixes"
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Downtown Party Network coming extra schmooove on their debut for Is It Balearic? Recordings. Both of the originals on this 12" are top notch balearic disco groovers ("The Returning" and "Leaving You Ocean") that bring to mind the warm summer breeze (even tho it's NYC winter outside). Check the shimmery synth work on "Leaving You Ocean" and the infectious groove of "The Returning," while Prins Thomas and Time & Space Machine turn up the cosmic vibe into over drive on the remixes. Hard to pick a favorite since everything on here is totally quality and highly playable! Recommended for the cosmic jocks and balearic bros.

  • music label: Is It Balearic? 2012
reviewed by TKB 11/2012
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# 32
    • "exclusive cosmic disco edits mixed and unmixed"
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Psychemagik have been making a name for themselves for sometime now. Along with being producers and editors they are commensurate diggers as well. This passion has led to them becoming the collectors that other collectors turn to when their looking for that elusive piece of wax. Amongst their many happy customers are the now satisfied and influential names of Soulwax, Chemical Brothers, Lovefingers, Q-Tip, Fake Blood, Tom Middleton & Lord Finesse. Double LP version housed in beautiful gate-fold sleeve. Magik Cyrkles features many of those hard to find cuts that you are only going to find in some dusty corner of a record shop in a town no one has ever heard of. This is music for all corners of the world that moves through psychedelic funk, cosmic disco, Balearic, Middle Eastern beats and beyond. Double CD features mixed and unmixed versions.

  • music label: Leng 2012
reviewed by The Voice 10/2012
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# 33
    • "rare live recordings from electro pioneers"
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Incredible live recordings from the godfathers of electronic music. This limited edition vinyl features two very different, but equally genius sides of Kraftwerk that need to be heard (especially if you missed out on their recent live shows in NY). "Live in Paris 1976" showcases the softer, more melodic side of Kraftwerk with the two part "Kometenmelodie." Fans of ambient and kosmische soundscapes will freak over these (I know I did), while "Live in Utrecht 1981" gives us the the electro sound that Kraftwerk is best known for. Many classics like "Numbers, Computer World, Pocket Calculator, The Model" and others can be heard here in live form, complete with erupting crowd cheers in between each song. Heavy import pressing on grey vinyl, housed in clear plastic sleeve. Recommended.

  • music label: B13 2012
reviewed by TKB 10/2012
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# 34
    • "lush house cover of Suicide classic"
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Amazing cover of Suicide's "Dream Baby Dream" from Neneh Cherry & The Thing. With the original being pretty much perfect, creating a convincing cover version would seem a daunting task (Bruce Springsteen couldn't do it), but Neneh and The Thing pull it off with flying colors with an assist from Four Tet on the remix. Mr. Hebden's stomping, chime-driven house riddim is the perfect match to Neneh's delicate, emotive vocals. The result is something you'll have on repeat for sure. On the flip, Nordic disco duo Lindstrom & Prins Thomas transform Neneh & The Thing's "Cashback" into a 9 minute cosmic disco excursion. Recommended.

  • music label: Smalltown Supersound 2012
reviewed by TKB 10/2012
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# 35
    • "sultry synth pop and italo"
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Deluxe reissue of Chromatics' Night Drive now on limited colored vinyl! This 2010 effort really put Chromatics on the map. The cover of Kate Bush's "Running Up That Hill(1)" is just an awesome slow burner, while "Healer" and "Tomorrow Is So Far Away" brings the beat to the heat for that extra bump. The killer synthwork from Johnny Jewel paired with Ruth's poetic vocals is seductive and demands multiple listens. And just in case you're not in the mood for words, there's the instrumentals "I Want Your Love" and "Let's Make This A Moment To Remember." Titles sound like Smokey Robinson singles? Not quite, but they are smokey for sure. Also check out "Circled Sun," a hypnotic nu disco track built on subtle layers of guitar, synths, and drums that's full of that after-hours vibe prevalent throughout the album. Double LP, comes with free MP3 download. Highly Recommended.

  • music label: Italians Do It Better 2012
reviewed by Cmish
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# 36
    • "cosmic kraut exploration"
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Golf Channel turns in another stellar disc from Dominik Von Senger (The Phantom Band, Dunkelziffer). This time around Thomas Bullock of Rub N Tug offers up two remixes of Senger's "Only Love Can Take Us Home" under his Welcome Stranger guise. They're two unique takes that go in unexpectedly beautiful directions but keep the krautrock close to their respective hearts. Senger's guitar work is reminiscent of Manuel Göttsching's work with Ash Ra Temple and his Inventions for Electric Guitar. "Mix 2" gets particularly slow and dark, and shows just how adept Bullock is behind the boards.

  • Music Label: Golf Channel 2012
reviewed by Señor Sueño Latino 09/2012
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# 37
    • "indie house mix from lauded dj"
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Erol Alkan has brought his special brand of bastard pop to remixes for acts like Franz Ferdinand and Justice, and opened for Madonna and Daft Punk. His Monday club night Trash has grown to become one of the most adventurous and influential in the world. His first foray into DJing was back in 2001 when he was invited to play at Bugged Out and he returns every Easter with a marathon set - 2012's was 9 hours long - eschewing support DJs in favor of building the night himself. With Another Bugged Out Mix Erol delivers a diverse selection of music that spans over 4 decades. There are classics from the likes of Ron Hardy and Model 500 mixed with newer material like In Flagranti and Factory Floor. It's an impressive journey from a seasoned DJ. Features tracks from Seaside Houz Boyz, Umba, Jimmy Edgar, Scuba, Amin Peck, N.Y. House'n Authority, Jan Hammer Group, Matthew Herbert, Bibio, Mickey Moonlight, and many more. 39 tracks in all on two mixed CDs in classic jewel case packaging.

  • Music Label: !K7 2012
reviewed by Michu Meszaros 08/2012
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# 38
    • "irreverent dance music experimentation"
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Mi Ami band members Ital and Magic Touch have been making a lot of noise on the left of center dance music scene in the past year. With respective solo singles for 100% Silk they helped the label become the juggernaut it has. While some may find the supposed irreverence with which they approach their productions off putting, it is refreshing to take in a different perspective and see some feathers get ruffled. Magic Touch traffics in high energy, sample based house, and with "Anywhere You Want Me" it comes on heavy. It gets a heavy dark side remix from Ital that sounds like a trip to Satan's gospel church. "From A Dream" breaks the spell with chopped up vocal samples and rubber-band boogie bass. The last 3 minutes of the Magic Touch remix just might be my favorite part of this record though. Any semblance of a dance song is stripped away to reveal a percolating drone that shows just how adept at manipulating sound this duo is.

  • Music Label: 100% Silk 2012
reviewed by The Voice 08/2012
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# 39
    • "lush cosmic italo disco"
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There's a bit of disco and kraut influence in the music of Jonas Reinhardt (aka Jesse Reiner). The New York based producer has worked with Phil Manley of Trans Am, and Damon Palermo of Mi Ami and Magic Touch on past releases for labels like Not Not Fun, Kranky and Kraak. Where those previous releases were awash in Jarre-esque synth washes the former San Francisco denizen picks up the tempo for his 100% Silk debut. Foam Fangs evokes the glittery discos of the 70s, with its upfront synth work and looping sequences. The retro vibe that Reinhardt inhabits is brought into more modern times with subtle Detroit techno influences. It's the perfect antidote to the banalities of so much dance music that is out there today.

  • Music Label: 100% Silk 2012
reviewed by The Voice 08/2012
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# 40
    • "kosmiche inspired minimal jams "
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The Brooklyn based duo of Goitia Dietz has returned with their second 7" for DiscError Recordings. They continue their psychedelic experiment with motoric precision, the rhythm is ever present but the machines are free to follow their own path. "Helicopter" is, thankfully, mixed for the dance floor. Its repetitive beat guiding the pulsing synths over the course of peaks and valleys. Although it keeps the tempo up, "Forever" plays like the come down to its companion. The drone is a little heavier and the drums more laid back. A hopeful melody leads you to the conclusion of the night as the sun rises a little earlier than you might have hoped. With their second release Goitia Dietz have refined their sound and made it their own. Hopefully we'll be hearing more from them soon.

  • Music Label: DiscError Recordings 2012
reviewed by The Voice 08/2012
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# 41
    • "tropical disco pop w/ dance remixes"
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Panama is the latest group to join the Future Classic roster and delivers sun-drenched disco pop with their debut single "Magic". The Sydney-based quartet lead by Jarrah McCleary blends breezy tropical vibes, 80's synth pop, and yacht rock for a super catchy vocal track that is poised to be a feel-good summer anthem. Remix duties are handled by NYC disco band Midnight Magic who spruce up the track with a hefty dose of disco bass and punched up drums for late night movin' and groovin'. DFA's Gavin Russom (of The Crystal Ark) is also on board for a teched-out, bass heavy remix. Comes in embossed Future Classic sleeve with free mp3 download card.

  • music label: Future Classic 2012
reviewed by TKB 08/2012
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# 42
    • "debut full length from legendary cosmic djs"
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Despite a 20 year career DJing around the world, producing countless edits and remixes, the Idjut Boys have never released a proper artist album. With Cellar Door the duo of Daniel Tyler and Conrad McConnell have produced a full length LP that defies their fans expectations. Although, if you're a fan of the Idjuts you should know to expect the unexpected; their DJ sets could include anything from 70s jock metallists Nazareth to Phil Collins interspersed with perhaps some Underground Resistance for light relief, swiftly followed by the Temptations. It's something that makes their DJ sets non-conformist, occasionally brilliant, sometimes floor-clearing, but always interesting. So, those of you expecting an album full of floor filling disco not disco tracks might be a little disappointed at first. However, the blokes do come through with some highly workable numbers, like "One For Kenny" and "Love Hunter." There is more to Cellar Door than just dance tracks though. It's an album meant for listening as well as dancing. "What we've tried to do is make an LP, four tracks a side on vinyl," reports Conrad. "You stick it on your stereo, have a cup of coffee and read the paper. When it's finished you stick the other side on. So we’ve made an LP in the traditional way."

  • Music Label: Smalltown Supersound 2012
reviewed by Michu Meszaors 08/2012
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# 43
    • "deep burning house + techno"
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What happens when noise rockers throw down their guitars and pick up synths and drum machines? Mi Ami's Decade aims to answer this question. The band is comprised of Damon Palermo aka Magic Touch and Daniel Martin McCormack aka Ital, both of whom have solo releases on 100% Silk as well, and together they bring their collective love of house and techno to the forefront with this collaborative debut on the label. Four tracks of deep, moving dance music for the dancefloor and your mind including "Horns," "Time Of Love," "Bells," and "Free of Life." Get lost in the sound.

  • music label: 100% Silk 2012
reviewed by TKB 07/2012
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# 44
    • "rare cosmic library edits"
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SF's Pat Les Stache has been around the scene for awhile now, curating the excellent American Athlete blog with all kinds of disco gems and releasing his edits on his own Cabana label. For his debut on Kojak, Pat hooks up "The Spirit Rides Again," a stellar edit of some rare 70's cosmic library cut. Can't call the original, but it's definitely got a potent combination of driving breaks with spaced out, fusion-y elements for your next Loft jam. The flipside takes it even deeper into tribal afro-jazz territory with "Odeyailoo Mambo." Heavy stuff.

  • music label: Kojak 2012
reviewed by TKB 07/2012
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# 45
    • "limited edition disco edits"
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Italians Do It Better label boss Mike Simonetti returns with 4 fresh edits on super limited picture disc. First of all, that's one of the coolest pic discs ever (for those that don't know, the image is of the "Golden Record" NASA attached to the Voyager to explain Earth to any would be space travelers that found it), and the edits contained are just as dope. Chic's "Everybody Dance" kicks it off in dub form on "Everybody Dub," a sure shot party starter of the highest degree. Next up comes the burning disco grooves of "Giving And Living," while I'll Root This Mountain Down" switches it up from disco to bouncy, folky rock. A bold stylistic change, but Mike pulls it off with panache. Finally, "Extra Terrestrial Arpeggiator" takes it to the stars with driving arpeggiator pulses and an over the top cosmic climax.

  • music label: Public 2012
reviewed by TKB 07/2012
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# 46
    • "extended dubs and rarities from the cult indie rockers"
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Sunkissed Records brings you another collection of great Balearic moments, this time from cult indie rockers The Cure. Hugely popular on the early Ibiza scene, The Cure had a number of their tracks that became anthems on the Island after being championed by DJ Alfredo, the man credited with creating the whole Balearic sound with his legendary eclectic sets at Amnesia. First up here is the 12" extended dance-floor friendly mix of the dreamy "Lullaby," rarely out of Alfredo's record box. Another of his secret weapons was 1985's mega-rare "The Blood." Only ever released as a single in tiny numbers as a promo 7" in Spain, this boasts some fiercely dramatic guitar-work that made it go down a storm on Balearic dancefloors. Over on side B, we have the broodingly magnificent extended dub version of "Pictures Of You," another classic Amnesia anthem. Plus finally the amazing "Close To Me," featured here in its most perfect incarnation - the original extended version from 1985, a wonderful echoing maelstrom of wild brass, super-funky bass and claps overlaid with Robert Smith's distinctive vocals. A great collection not be to be missed.

  • Music Label: Sunkissed Records 2012
reviewed by Michu Meszaros 06/2012
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# 47
    • "smoothed out disco vibes"
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Smooth and sexy disco from Carly. "Tranquillo" originally came out in '78 (a few years before the Nile Rodgers produced bomb "Why") and is a sough-after piece of mellow disco. The sun-drenched vibes soothes your mind and just makes you feel free and easy. Plus when you play it at the right time, all manner of niceness starts to happen around you (this works especially well on the beach or near the pool). Original Elektra promo copies exchange hands for decent prices, so get with the nice price reissue. Also includes the steamy sax jam "You Belong To Me" on the flip.

  • music label: Elektra 1978 / 2012
reviewed by TKB 06/2012
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# 48
    • "cosmic, balearic, and italo remixes on limited pic disc"
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All-star remix action for Psychemagik on a stunning pic disc! This expertly curated round of remixes kicks of with Spanish disco boogie head Rayko who adds a funky bump to "Valley Of Paradise." From there we are treated to the brilliant Time & Space Machine mix that softly pushes and sways on a supremely balearic groove, while UK DJ pioneer Greg Wilson turns in a cosmic italo disco version to fuel the dance floor. Finally, Rekids regular Toby Tobias closes it out on the spaced-out cosmic tip for your next beach side soiree. Limited press.

  • music label: Psychemagik 2012
reviewed by TKB 05/2012
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